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View all 36 artworks. Robert Campin lived in the XIV – XV cent., a remarkable figure of Flemish Northern Renaissance. Find more works of this artist at Wikiart.org – best visual art database.
- View All 36 Artworks
Art movements Schools and groups Genres Fields Nationalities...
- The Mérode Altarpiece
Art historian's interest in the Mérode Altarpiece focuses...
- Madonna and Child Before a Fireplace
Find more prominent pieces of religious painting at...
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Robert Campin spielte neben Jan van Eyck eine zentrale Rolle...
- The Annunciation, C.1430
‘The Annunciation’ was created in c.1430 by Robert Campin in...
- Werl Altarpiece, 1438
The two remaining wings are now in the Prado in Madrid. It...
- Virgin and Child Before a Firescreen
Find more prominent pieces of religious painting at...
- Crucifixion, C.1425
‘Crucifixion’ was created in c.1425 by Robert Campin in...
- View All 36 Artworks
- Left Panel of Campin’s Merode Altarpiece
- The Walled Garden
- Board of Spikes
- The Mousetrap
- Center Panel of Campin’s Merode Altarpiece
- The Virgin Mary
- Red
- The Angel Gabriel
- A Book, Scroll, Candlestick, and Vase
- Rays of Light in Campin’s Merode Altarpiece
On the left panel of the Altarpiece are the donor and his wife. They are kneeling in front of a door, as if they can view the the encounter in the center panel. We know that the wife was painted in at a later date, it is assumed that this was due to a marriage that occurred after the triptych was purchased. At the same time the man standing in the ...
A walled garden is a common reference to Mary’s protected virginity, we can assume that is not the intention here as there is an open door onto the street. A garden was also a symbol of the gates of heaven, and in this painting many interpret the open door as somewhat presumptuous, as it signaled the donor had access to the gates of heaven. Since b...
Joseph is drilling holes into a small, square board. Northern artists sometimes portrayed Christ as he was carrying the cross to the crucifixion with a rope tied around his waist. Attached to these ropes were boards that looked just like this board that Joseph is making. In the holes of the board spikes were inserted, so that, as Christ walked they...
The most remarked upon detail of this panel in Campin’s altarpiece, however, is the mousetrap. There is one on the workbench and another sitting on the window sill as if advertising Joseph’s work to passersby. The mousetrap is a symbol for Christ dying on the cross and trapping Satan. St. Augustine, several times, made the analogy between a mousetr...
The center panel of the altarpiece is a traditional annunciation scene. The annunciation is when the angel Gabriel appears to the Virgin Mary to announce that she is to bear a son. For believers this is a critical moment in the story of Christ, as this is when Jesus, by the Holy Spirit, enters Mary and she becomes pregnant. The incarnation, or God ...
As we examine this panel we will start with the figure of Mary. Mary is seated on the footstool of the bench, or on the floor. It is hard to determine with her voluminous robes. This is a position of humility. There were several accepted ways to paint the virgin. We have seen on Duccio’s Maestathe Enthroned Madonna, and here we have the Virgin of H...
Additionally, her gown is red. Red is used to denote humanity, as humans have blood. It is additionally used to remind us of Christ’s Passion, that he is coming to earth with the sole purpose of dying. When Mary is wearing red some scholars believe we are to associate Christ’s Passion with the sorrow that Mary will experience as she walks through t...
The Angel Gabriel is arriving on the left. He appears to have just arrived as his cloak is trailing behind him, and the pages of the book on the table are fluttering in the wind caused by his entry. Mary, seated, has not yet noticed the arrival of the heavenly messenger. Gabriel’s hand is raised in greeting and blessing and he is beginning to kneel...
A book and scroll together reference the Old and New Testaments. The Old Testament (scroll) tells why a messiah is needed and provides prophecies about Christ’s coming. The New Testament tells of Christ and the plan for mankind’s salvation. The pages of the New Testament are ruffled by the breeze that the angel’s arrival has caused. Also on the tab...
The baby is arriving on 7 rays of light. Seven is the number of the incarnation, referencing the doctrine that Christ is fully God and fully Man. The number 3 is representative of God, as he is a trinity. The number 4 is the number of mankind. When the two are combined we get 7, which references Christ. The rays of light also indicate the presence ...
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One of the most celebrated early Netherlandish paintings—particularly for its detailed observation, rich imagery, and superb condition—this triptych belongs to a group of paintings associated with the Tournai workshop of Robert Campin (ca. 1375–1444), sometimes called the Master of Flémalle.
Jun 25, 2023 · Robert Campin : a monographic study with critical catalogue : Thürlemann, Felix : Free Download, Borrow, and Streaming : Internet Archive.
1420 1425 Oak panel Oil Painting Window, Artistic stained-glass. RDF. Multimedia. See more multimedia content. Technical data. Inventory number. P001915. Author. Campin, Robert. Title. The Annunciation. Date. 1420 - 1425. Technique. Oil. Support.
She is depicted in a well-kept middle-class Flemish home. Several works attributed to Robert Campin may be seen in the Hermitage, including diptych panels depicting The Holy Trinity and The Virgin and Child. Other works are displayed in the Prado, and the London National Gallery.
Apr 22, 2024 · Robert Campin was one of the earliest and greatest masters of Flemish painting. He has been identified with the Master of Flémalle on stylistic and other grounds. Characterized by a naturalistic conception of form and a poetic representation of the objects of daily life, Campin’s work marks a break.
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