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Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940.
Jan 23, 2018 · Sergei Prokofiev, who made a devil’s bargain in accepting a commission for “Romeo and Juliet” and moving to Stalinist Russia. The troubled road to the ballet’s premiere left him broken....
0:00 / 2:20:33. Sergei Prokofiev (1891-1953) Romeo and Juliet (Ballet), Op. 64🎧 Qobuz https://bit.ly/3rWQ52q Tidal https://bit.ly/3LG7nIP🎧 Spotify https://spoti.fi/3sLR6cW...
- 141 min
- 43.9K
- Classical Music/ /Reference Recording
Aug 10, 2023 · His symphonies, orchestral suites, and ballets display endless variety and complexity. His most famous works today, perhaps, are the Classical Symphony, the Romeo and Juliet ballet score, and the symphonic fairy tale Peter and the Wolf. Early Life. Sergei Prokofiev was born in Sontsivka, Ukraine, on 27 April 1891, then part of the Russian ...
- Mark Cartwright
- The most famous pieces by Sergei Prokofiev include the Classical Symphony, Romeo and Juliet, and Peter and the Wolf.
- Sergei Prokofiev was born in Ukraine in 1891, which, at that time, was part of the Russian Empire.
- Sergei Prokofiev was quite disagreeable as a person. He was infamous for his self-belief, bordering on arrogance, for his lack of tact, and for his...
Jun 15, 2023 · Photo by Sidney Forman. Sergei Prokofiev’s Romeo and Juliet is one of the most recognizable and celebrated scores of the 20th century. Yet its achievement can be difficult to reconcile with the ballet’s troubled creation and the challenges Prokofiev faced in Stalinist Russia.
Prokofiev’s Score – A History | The National Ballet of Canada. A History. Today Sergei Prokofiev’s score for Romeo and Juliet is considered to be the quintessential rendering of William Shakespeare’s timeless tale and one of the most popular of all ballet compositions.
Prokofiev depicts the full measure of the tragedy here with a swelling summation of vast poignancy, including an emotionally intense reference to the music of “The Young Juliet.” It ends quietly, ebbing away like Juliet’s life. — compiled from notes by Orrin Howard and Jim Svejda.
