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- Sound mixing aims to take dialogue, sound effects, foley, background noises, and music and balance their volume, frequencies, and stereo positioning so that the result is a professional-sounding audio track that matches the visuals and elicits the intended emotional response.
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This book explores sound art by identifying some of the recurring themes to have emerged over the past forty years or so, bringing constellations of disparate thought and practice into recognized centres of activity.
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- I. Introduction: The Cages of Sound
- II. Sound in Space: Music and Sound Arts
- III. in The Streets of The City: Sound and Listening
- IV. Conclusion
A history of sounds in Western culture shows that we have a great number of sounds locked in a cage—not so as to listen to them better but, rather, to simply avoid paying attention to them. In this article, I examine the theoretical foundations of sound art, an art that requires us to attend to sounds themselves. I highlight examples of sound art t...
Music is the product of a sound culture that has progressively distinguished between musical and nonmusical sounds and, as the unwanted sounds are rejected, music is kept in a cage of sounds. Gradually, from the Baroque era until the end of the nineteenth century, music theory based on notions of pitches and the relations between them, chords and k...
Attention to the city, and to the way in which the tensions of city life modify sensitivity and create a new type of man, was expressed by the writers of the nineteenth century. From Edgar Allan Poe, E. T. A. Hoffmann, Charles Baudelaire, Arthur Rimbaud, Émile Zola, and Arthur Machen to Alain Robbe‐Grillet and Italo Calvino in the twentieth century...
Cage stated that “an ear alone is not a being” (1985b, 32). The ear is also a body that feels and a mind that thinks. There is not one unique type of listening, but rather, various modalities that can exist in the same listener. The practices of sound art have blurred the distinction between the arts of time and space, between the internal and the ...
- Carmen Pardo
- 2017
The path to the point where sound can be conceived as a legitimate artistic gesture is further marked by a well-documented and far-spanning breadth of hybrid experimentations incorporating sound into art and art into sound.
Since the turn of the millennium, the term ‘sound art’ has gained increasing prominence while generating persistent discussion and debate. This study explores questions surrounding the definition of sound art through an analysis of these discourses. It also applies a Foucauldian
Jul 27, 2020 · This paper addresses the question of the nature of art, how it came to be, how it fits with other communications revolutions, and the implications of the emergence of art as a means of visual communication.
- Iain Davidson
- iain.davidson@live.com.au
- 2020
Abstract of anthology: The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum.
Jun 15, 2012 · According to Jussi Parikka this model became part of “a larger field of modern thought in which noise and incompleteness were beginning to be included as integral to any functioning system. With this theory of communication, noise was on a mathematical level likened to the actual intended message.”
