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In her Leaves in the Wind series and her images of the leafless winter maple, time remains the central subject of Mangold’s work. Her trees are like visual and sensory clocks: they capture the feeling, texture, and sensuousness of nature as a force of constant and unceasing change.
In her Leaves in the Wind series and her images of the leafless winter maple, time remains the central subject of Mangold’s work. Her trees are like visual and sensory clocks: they capture the feeling, texture, and sensuousness of nature as a force of constant and unceasing change.
May 5, 2023 · Art. Sylvia Plimack Mangold. By Johanna Fateman. May 5, 2023. Since the nineteen-sixties, this American painter’s conceptual, meditative approach has illuminated the splendor of...
- Condé Nast
May 19, 2023 · Many of the paintings here are titled “Leaves in the Wind” and capture a green-filled summer rendered, close-up, in lush but no-nonsense brushstrokes reminiscent of Fairfield Porter or Édouard Manet — as well as Claude Monet and his sharply framed compositions of waterlilies.
- MARTHA SCHWENDENER
Apr 14, 2023 · The exhibition debuts a suite of fifteen paintings and works on paper that Mangold has created over the past five years, all of which depict the maple tree outside the window of her studio in upstate New York.
Sylvia Plimack Mangold (born September 18, 1938) is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director / screenwriter James Mangold and musician Andrew Mangold.
Sylvia Plimack Mangold. First shown in Twenty Six Contemporary Women Artists, Floor Corner typifies the precise, meditative paintings for which Sylvia Plimack Mangold first became known. Featuring architectural details including mirrors, windows, and floors, as here, the works have been interpreted as reflections on the domestic sphere.
