Search results
Jan 1, 2012 · Through this analysis I propose that the author of the Apolonio was informed by contemporary hagiographical models of female sanctity, as exemplified by Santa Oria, in his christianization of the...
LIFE: O, soldiers don't matter one way or the other to me; but some day the dreamers will chain you to the earth, and I will have the game all my way. DEATH: That remains to be seen. But how about kings?
People also ask
Was Louise Bryant's 'the game' a spoof of Bohemian euphemism?
Who inspired Louise Bryant to play in Provincetown?
What did the 1915 text tell us about the play?
Who was Louise Bryant?
The Game: A One-Act Play by Louise Bryant (1915) Louise Bryant , Drew Eisenhauer. Eugene O'Neill Review. Penn State University Press. Volume 33, Number 2, 2012. pp. 194-204. Article. View Citation. Related Content.
The Game, 1916. Appreciation of The Game, both by the Players themselves and by subsequent critics, has largely rested on the play's innovative staging, which was the result of collaboration between Bryant and visual artists William and Marguerite Zorach in Provincetown in...
The course will focus on the analysis of dramatic works, with the reading and discussion of one-act plays. In certain respects, the reading of a play transforms the reader into a type of director, who can imagine inflection of the lines and a staging of the work. The course will be virtual and limited in the number of participants, so that the ...
May 1, 2024 · Found In: Manuscripts and Archives > Louise Bryant papers (MS 1840) > Series II: Writings, 1913-1934 > Literary > Plays > The Game.
The Game is a four-character allegory play, an “English morality play” as William Zorach called it, (4) with the characters of Death and Life vying with a toss of the dice for the lives of the nameless “The Youth,” a male poet, and “The Girl,” a dancer.
