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Santiago, an old fisherman, has gone eighty-four days without catching a fish. For the first forty days, a boy named Manolin had fished with him, but Manolin’s parents, who call Santiago salao, or “the worst form of unlucky,” forced Manolin to leave him in order to work in a more prosperous boat. The old man is -wrinkled, splotched, and ...
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The Old Man and the Sea Summary. On the coast of Cuba near Havana, an old widowed fisherman named Santiago has been unable to catch a fish for 84 days. His apprentice, Manolin, has been forced by his parents to seek another "luckier" employer, although Manolin continues to help Santiago launch and retrieve his boat from the ocean each day ...
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The Old Man and the Sea: Summary & Analysis 1. Ernest Hemingway’s The Old Man… In The Old Man and the Sea, Ernest Hemingway describes an old fisherman and the unfortunate trials he faces as his “luck” runs out. Through the novel, the fisherman, Santiago, replicates Hemingway’s ideal man, a noble hero. Hemingway had a Code of
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Overview. The Old Man and the Sea is a short novel that tells the story of an aging fisherman named Santiago who catches an enormous marlin. Santiago takes his boat far out into the Gulf Stream ...
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The Old Man and the Sea, short heroic novel by Ernest Hemingway, published in 1952 and awarded the 1953 Pulitzer Prize for fiction. It was his last major work of fiction. The story centres on an aging fisherman who engages in an epic battle to catch a giant marlin.
The central character is an old Cuban fisherman named Santiago, who has not caught a fish for 84 days. The family of his apprentice, Manolin, has forced the boy to leave the old fisherman, though Manolin continues to support him with food and bait. Santiago is a mentor to the boy, who cherishes the old man and the life lessons he imparts. Convinced that his luck must change, Santiago takes his skiff far out into the deep waters of the Gulf Stream, where he soon hooks a giant marlin. With all his great experience and strength, he struggles with the fish for three days, admiring its strength, dignity, and faithfulness to its identity; its destiny is as true as Santiago’s as a fisherman. He finally reels the marlin in and lashes it to his boat.
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However, Santiago’s exhausting effort goes for naught. Sharks are drawn to the tethered marlin, and, although Santiago manages to kill a few, the sharks eat the fish, leaving behind only its skeleton. After returning to the harbour, the discouraged Santiago goes to his home to sleep. In the meantime, others see the skeleton tied to his boat and are amazed. A concerned Manolin is relieved to find Santiago alive, and the two agree to go fishing together.
The Old Man and the Sea contains many of the themes that preoccupied Hemingway as a writer and as a man. The routines of life in a Cuban fishing village are evoked in the opening pages with a characteristic economy of language. The stripped-down existence of the fisherman Santiago is crafted in a spare, elemental style that is as eloquently dismissive as a shrug of the old man’s powerful shoulders. With age and luck now against him, Santiago knows he must row out “beyond all people,” away from land and into the Gulf Stream, where one last drama would be played out, in an empty arena of sea and sky.
Hemingway was famously fascinated with ideas of men proving their worth by facing and overcoming the challenges of nature. When the old man hooks a marlin longer than his boat, he is tested to the limits as he works the line with bleeding hands in an effort to bring it close enough to harpoon. Through his struggle, Santiago demonstrates the ability of the human spirit to endure hardship and suffering in order to win. It is also his deep love and knowledge of the sea, in its impassive cruelty and beneficence, that allows him to prevail. The essential physicality of the story—the smells of tar and salt and fish blood, the cramp and nausea and blind exhaustion of the old man, the terrifying death spasms of the great fish—is set against the ethereal qualities of dazzling light and water, isolation, and the swelling motion of the sea. And through it all, the narrative is constantly tugging, unreeling a little more, and then pulling again, all in tandem with the old man’s struggle. It is a story that demands to be read in a single sitting.
The Old Man and the Sea was an immediate success and came to be regarded as one of Hemingway’s finest works. It was cited when he won the Nobel Prize for Literature in 1954. A hugely popular film adaptation starring Spencer Tracy was released in 1958.
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Overview. In The Old Man and the Sea, a 1952 adventure novella by American author Ernest Hemingway, an aging fisherman pits his life and wits against a giant fish as he battles to catch it and then protect its flesh from ravenous sharks. With its themes of endurance, perseverance, and respect for one’s opponent, this simple, straightforward ...
Key Facts about The Old Man and the Sea. Full Title:The Old Man and the Sea. When Written: 1951. Where Written: Cuba. When Published: 1952. Literary Period: Modernism. Genre: Fiction (novella); Parable. Setting: Late 1940s; a fishing village near Havana, Cuba, and the waters of the Gulf of Mexico.
