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The Drifters, The Flamingos, and The Platters
- With its eclectic blend of harmonious vocals and mainstream R&B, doo-wop has attracted numerous gifted artists and groups over the years, including The Drifters, The Flamingos, and The Platters, whose music continues to inspire and captivate audiences to this day.
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May 15, 2024 · With its eclectic blend of harmonious vocals and mainstream R&B, doo-wop has attracted numerous gifted artists and groups over the years, including The Drifters, The Flamingos, and The Platters, whose music continues to inspire and captivate audiences to this day.
Apr 20, 2024 · Before Rainbow, Black Sabbath and Dio, one of heavy metal’s most powerful voices sang in skiffle and doo-wop groups. This is what they sounded like…
Dion. The Capris. The Jive Five. The Crests. Bobby Day. The Fleetwoods. Hank Ballard. The Marcels. The El Dorados. The Heartbeats. The Harptones. The Paragons. The Hollywood Flames. The Mystics. The Supremes. The Chords. The Manhattans. Danny & the Juniors. The Four Seasons.
- “Blue Moon” by The Marcels
- “Rama Lama Ding Dong” by The Edsels
- “Morse Code of Love” by The Capris
- “Speedoo” by The Cadillacs
- “I Wonder Why” by Dion & The Belmonts
- “Book of Love” by The Monotones
- “Come Go with Me” by The Del-Vikings
- “At The Hop” by Danny & The Juniors
- “Get A Job” by The Silhouettes
- “Stay” by Maurice Williams & The Zodiacs
The introduction to The Marcels’ version of “Blue Moon” is one of the most famous and recognizable doo-wop portions of a song. It’s a perfect example of alliterative, percussive doo-wop vocals that turn gibberish into exciting, emotional music. “Blue Moon” was originally a stage song in the 1930s, but this version by The Marcels became one of its b...
Many a pop song has made gibberish syllables into deeply emotional expressions, and “Rama Lama Ding Dong” is a product of that tradition. One would be surprised to meet someone named Rama Lama Ding Dong in real life, but in the context of the song, the name projects just the type of freewheeling, joyous love that doo-wop is renowned for. Oh, and he...
“Morse Code of Love” is a funny example of doo-wop referencing modern, atomic age technology to tell a typically romantic story. Morse code itself, made up of dots and dashes, makes a surprisingly apt metaphor for doo-wop background vocals, which typically alternate between rhythmic bursts and sustained harmonic lines.
While it prominently features the trademark doo-wop backing vocals, The Cadillacs’ “Speedoo” sticks out from other doo-wop hits by embracing a more bluesy lead vocal line. “Speedoo” is a fast-paced, hard rocking number with the rhythm of a steam train. Fittingly, the lyrics describe a narrator who does everything the fast way.
Hailing from the Bronx, Dion & the Belmonts excelled at creating vocal parts that were driving and percussive. Their breakout hit, “I Wonder Why,” prominently displays this talent, with background vocals that mimic energetic jazz drum fills before the voices unite around harmonies that further raise the song’s emotional fervor.
“Book of Love” is one of the most recognizable songs in the doo-wop catalog. It is masterful in its use of evocative imagery to tell a quick and catchy pop music story, creating a metaphor for love and relationships that consists of progressive chapters. “Book of Love” has also enjoyed a long pop cultural afterlife. Sha Na Na covered it at Woodstoc...
The Del-Vikings’ “Come Go With Me” is notable for its backing vocals, which are even more prominent than is usually the case in doo-wop.The backing parts are exceptionally layered, dancing and swirling around the lead part’s syllables. This creates a sort of echo chamber effect, as if the backing parts are bouncing off the walls as the leader singe...
Decorated by ascending harmonies that convey the excitement of teenagers heading out on the weekend, “At the Hop” paints a vivid image of 50s-style fun. The lead vocals are charged and nimble, trading the emotional falsetto found in much of doo-wop for a level tone and relaxed attitude. The song also features prominent boogie-woogie style piano, pu...
Released in 1957, “Get a Job” was one of the most commercially successful as well as one of the most influential doo-wop songs. The song topped both the pop and R&B charts, and is credited with “inventing” two or three different staple doo-wop singing hooks. On top of that, the song’s lyrics are based on real-life parental advice!
In a genre full of catchy hooks, “Stay” has some of the best, with a stratospheric falsetto chorus that leans farther into doo-wop’s romantically desperate emotions than most. The backing rhythm employs more of a shimmying shuffle than many other doo-wop songs, which tend to rely on a straight-ahead rock and roll bop. While “Stay” would later reach...
Doo-wop. 1955 saw the rise to prominence of several black vocal groups in the USA. Amongst them were; The Orioles (their 1948 hit It’s Too Soon To Know is often cited as the first real doo-wop record), The Crows, The Clovers , The Penguins, The Harptones, The Chords (“Sh-boom, life is but a dream…”), The Spaniels, The Cadillacs, The ...
Members: Earl Carroll - lead. Robert Phillips - bass. Laverne Drake - tenor replaced by J.R. Bailey May 1956. Gus Willingham - replaced by Charles Brook. James "Papa Clark" - tenor - replaced by Earl Wade. Equally adept at polished ballads or torrid rockers, the Cadillacs were one of New York's top doo-wop groups.
Dec 18, 2017 · In addition, in order for a song to be correctly classified as Doo-Wop, it must contain the following: Vocal Group Harmony; Wide Range Of Voice Parts; Nonsense Syllables; Simple Beat And Light Instrumentation; Simple Music And Lyrics; Other links of interest: The Vocal Group Hall Of Fame. Where Did The Name Doo-Wop Come From? Fake Doo-Wop ...
