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Sinophone minor-. pean dominance, whereas Asia, for which ity literature in China is situated at the inter-. "the sea is without significance," was limited sections between ethnicities and languages. by its land-locked status ( Lectures 196). The Mongols, Manchu, Tibetans, and many other.
What is Sinophone Studies ? Since the initial conceptualization of Sinophone studies over a decade ago as a field that examines Sinitic-language cultures and communities marked by difference and heterogeneity around the world, scholarly work in the field has become more and more interdisciplinary, involving not only literary and cinema studies, but also history, anthropology, musicology ...
Sinophone, which means "Chinese-speaking", typically refers to an individual who speaks at least one variety of Chinese (that is, one of the Sinitic languages).Academic writers often use the term Sinophone in two definitions: either specifically "Chinese-speaking populations where it is a minority language, excluding Mainland China, Hong Kong, Macau, and Taiwan" or generally "Chinese-speaking ...
- Han language circle
- 漢語圈
- 汉语圈
Jun 8, 2023 · In this way, at all junctures and across every genre of performance, the Australian record of Chinese theatre fits into a broader transnational history of Sinophone theatre, both through direct movement (southern extensions of Southeast Asian networks) and shared patterns (similarities to theatrical performance in North American communities).
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The Sinophone is defined as “a network of places of cultural production outside China and on the margins of China and Chineseness, where a historical process of heterogenizing and localizing of continental Chinese culture has been taking place for several centuries” (p. 4).
phenomenon in which Chinese folk dance became a site of leftist political activism. KEYWORDS: Chinese folk dance, World Festivals of Youth and Students (World Youth Festivals), global Cold War, Overseas Chinese, Sinophone socialism, Hong Kong, Southeast Asia, anti-communism, Eastern Europe, PRC history. peer-reviewed article
146 • Viewing Sinophone Cinema of movement-images," this type of cinema fails on a basic level; hence, the crisis of perception, action, and affection images (Trifonova 2004: 1 35). Deleuze's privileging of the time-image can be likened to Wong's tendency to favor the representation of bodily movements over dialogue in IMFL and 2046.
