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5 days ago · The Best Cinematography award has been a thing for as long as the Oscars have been around, with Sunrise taking home inaugural gold in 1927.
Mar 28, 2021 · T he Academy Award for best cinematography is one of the most prestigious honors bestowed each year at the Oscars. The best cinematography Oscar has been around since the inception of the award ceremony but it underwent a great deal of experimentation and evolution in the early years.
- Overview
- 1920s and 1930s
- 1940s and 1950s
- 1960s and 1970s
- 1980s and 1990s
- 2000s and 2010s
- 2020s
award presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California. It honors outstanding achievement by a cinematographer in a movie from a given year, as determined by the academy’s voting members.
At the inaugural Academy Awards ceremony, in 1929, the award recognized the work in films released from August 1, 1927, to August 1, 1928. The next 5 ceremonies honored work in films released from August to July. Beginning with the 7th ceremony (1935), only work in movies released the previous calendar year was eligible for consideration. In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography. The winning cinematographers are given a gold-plated statuette known as an Oscar.
•1927–28: Charles Rosher and Karl Struss (Sunrise)
•1928–29: Clyde De Vinna (White Shadows in the South Seas)
•1929–30: Joseph T. Rucker and Willard Van Der Veer (With Byrd at the South Pole)
•1930–31: Floyd Crosby (Tabu)
•1931–32: Lee Garmes (Shanghai Express)
•1932–33: Charles Bryant Lang, Jr. (A Farewell to Arms)
•1940: Black-and-White: George Barnes (Rebecca); Color: Georges Périnal (The Thief of Bagdad)
•1941: Black-and-White: Arthur Miller (How Green Was My Valley); Color: Ernest Palmer and Ray Rennahan (Blood and Sand)
•1942: Black-and-White: Joseph Ruttenberg (Mrs. Miniver); Color: Leon Shamroy (The Black Swan)
•1943: Black-and-White: Arthur Miller (The Song of Bernadette); Color: Hal Mohr and W. Howard Greene (Phantom of the Opera)
•1944: Black-and-White: Joseph LaShelle (Laura); Color: Leon Shamroy (Wilson)
•1945: Black-and-White: Harry Stradling (The Picture of Dorian Gray); Color: Leon Shamroy (Leave Her to Heaven)
•1960: Black-and-White: Freddie Francis (Sons and Lovers); Color: Russell Metty (Spartacus)
•1961: Black-and-White: Eugen Shuftan (The Hustler); Color: Daniel L. Fapp (West Side Story)
•1962: Black-and-White: Jean Bourgoin and Walter Wottitz (The Longest Day); Color: Freddie Young (Lawrence of Arabia)
•1963: Black-and-White: James Wong Howe (Hud); Color: Leon Shamroy (Cleopatra)
•1964: Black-and-White: Walter Lassally (Zorba the Greek); Color: Harry Stradling (My Fair Lady)
•1965: Black-and-White: Ernest Laszlo (Ship of Fools); Color: Freddie Young (Doctor Zhivago)
•1980: Geoffrey Unsworth and Ghislain Cloquet (Tess)
•1981: Vittorio Storaro (Reds)
•1982: Billie Williams and Ronnie Taylor (Gandhi)
•1983: Sven Nykvist (Fanny & Alexander)
•1984: Chris Menges (The Killing Fields)
•1985: David Watkin (Out of Africa)
•2000: Peter Pau (Crouching Tiger, Hidden Dragon)
•2001: Andrew Lesnie (The Lord of the Rings: The Fellowship of the Ring)
•2002: Conrad L. Hall (Road to Perdition)
•2003: Russell Boyd (Master and Commander: The Far Side of the World)
•2004: Robert Richardson (The Aviator)
•2005: Dion Beebe (Memoirs of a Geisha)
- The Editors of Encyclopaedia Britannica
- There Will Be Blood (2007) 2007 was a banner year for cinematography. This category saw Roger Deakins going up against himself for incredible work on The Assassination of Jesse James and No Country for Old Men, but Robert Elswit came away with the win for his stunning work on Paul Thomas Anderson’s There Will Be Blood.
- 1917. "Anything you can do I can do better," says Roger Deakins to Lubezki. Not really, but 1917 — a World War I film told entirely in one single continuous take — feels like a bit of oneupsmanship in the wake of the rise of the "oner" as a trope over the last decade or so.
- Gravity (2013) Emmanuel Lubezki’s crowning achievement is his work with Alfonso Cuaron on Gravity. Now I know I knocked Avatar a bit for being all-digital, but that frame in Cameron’s movie is pretty flat—it won simply because performance-capture had never been done that way before.
- Blade Runner 2049 (2017) The film that finally won Roger Deakins the Oscar also happens to feature some of his best work. Blade Runner 2049 brings to life jaw-dropping futuristic environments, using a mix of practical and CG effects.
The 93rd Academy Awards ceremony, honoring the best films of 2020 and early 2021, was held on April 25, 2021, after it was postponed from its original February 28, 2021, schedule due to the impact of the COVID-19 pandemic on cinema. As with the two previous ceremonies, there was no host.
Nov 29, 2019 · The Academy Award for Best Cinematography has been awarded since the inaugural Academy Awards, held in 1929. It is one of only a few categories to have been awarded every year at the Oscars. The first winners were Charles Rosher and Karl Struss, who were awarded for the 1927 film Sunrise: A Song of Two Humans .
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List of Films that have won Oscar for best Cinematography. by crnobrnjag | created - 10 Jun 2014 | updated - 25 Feb 2019 | Public. Refine See titles to watch instantly, titles you haven't rated, etc. 121 titles. 1. Sunrise (1927) Passed | 94 min | Drama, Romance. 8.1. Rate. 95 Metascore.
