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      • Film Noir–a term coined by French critics in the 1960s–is a fairly fluid title, usually referring to crime movies, made in black and white, often B-movies, and visually defined by chiaroscuro lighting and extreme angles in the German Expressionist model, brought over to Hollywood by European filmmakers fleeing the Nazis.
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  2. 2 days ago · Whether film noir is a genre, an era, a tone, or a movement is hotly debated. My favorite definition comes from the czar of Noir himself, Eddie Muller (host of TCM’s weekly program Noir Alley , and the Film Noir Foundation president) who refers to noir as “suffering with style.”

  3. Dec 16, 2019 · The termfilm noir” is typically credited to French critic Nino Frank, who apparently coined it in a 1946 essay published in the magazine L’Écran français to describe four American crime ...

    • The History of Film Noir
    • Film Noir Style
    • Neo-Noir/Modern Film Noir
    • Classic Film Noir Examples

    Film noir had its beginnings in the 1930s, but didn't really take off until the 1940s. Its origins are often attributed to attitudes of pessimism and anxiety that arose from World War II, but film noir wasn't inspired by any one cultural event. One contributing factor was literature. At the time, hardboiled detective stories and crime mysteries wri...

    What made telling these stories so difficult was the Motion Picture Production Code, a set of moral guidelines that affected all American movies beginning in 1930. Back then, there was no MPAA, or a rating system to give films age restrictions like "PG-13". The Production Code forced all films to obey the same rules. Under the new rules, there was ...

    The golden age of film noir is over, but its influences are still present in modern cinema, hence the rise of "neo-noir." The newer films don't have to go by the same rules, since the Production Code ended in 1968. A film that's considered "neo-noir" can be characterized by the same elements found in the older films, such as femme fatales, anti-her...

    Among the most notable examples of classic film noir are Double Indemnity, Laura, Vertigo, and This Gun for Hire. One of the earliest -- and most famous -- is The Maltese Falcon. Directed by John Huston, the 1942 film starred Humphrey Bogart as Sam Spade, a private eye who gets dragged into a mystery that revolves around the whereabouts of a pricel...

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    • Stephen Holland
    • Double Indemnity (1944) Directed by Billy Wilder. Double Indemnity. Release Date. July 3, 1944. Director. Billy Wilder. Cast. Fred MacMurray , Barbara Stanwyck , Edward G. Robinson , Porter Hall.
    • The Big Sleep (1946) Directed by Howard Hawks. The Big Sleep was the quintessential film noir movie. Based on a hardboiled crime novel by Raymond Chandler and featuring Humphrey Bogart as Detective Philip Marlowe, The Big Sleep ticked all the boxes of an engaging film noir propped up by iconic performances from Bogart and his wife Lauren Bacall.
    • The Maltese Falcon (1941) Directed by John Huston. One of the most important film noirs ever produced, The Maltese Falcon stands as not just as one of the defining movies of its genre but also one of the most memorable movies of Hollywood’s Golden Age.
    • Sunset Boulevard (1950) Directed by Billy Wilder. Billy Wilder’s hilarious film noir comedy Sunset Boulevard delivered one of cinema’s most unforgettable quotes with its closing line: “All right, Mr. DeMille, I'm ready for my close-up.”
  4. Apr 6, 2024 · Immerse yourself in the shadowy world of crime and intrigue with our list of the best film noir movies. Explore the timeless classics that define this genre.

  5. Aug 3, 2018 · Film Noir–a term coined by French critics in the 1960s–is a fairly fluid title, usually referring to crime movies, made in black and white, often B-movies, and visually defined by chiaroscuro ...

  6. en.wikipedia.org › wiki › Film_noirFilm noir - Wikipedia

    The term film noir, French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era.

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