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Paul Featherstone
- As Orpheus, Paul Featherstone was committed and impassioned, and he did much to involve the audience in the drama and to encourage their sympathetic engagement with the protagonists’ fates.
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Find out more about Orfeo ed Euridice by Christoph Willibald Gluck including plot, roles, fach, composer, score, libretto, context and videos.
Sep 2, 2022 · Devastated by this final separation and unable to return to the Underworld himself, Orpheus plays a mourning song on his lyre and is torn to pieces by a band of Maenads (female followers of the god Dionysus). His head remains intact, and continues to sing as it floats off on the waters.
Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.
Orfeo and Euridice sing of their love for each other before leaving with most of the group for the wedding ceremony in the temple. Those left on stage sing a brief chorus, commenting on how Orfeo used to be one "for whom sighs were food and weeping was drink" before love brought him to a state of sublime happiness.
Offenbach’s Orphée aux Enfers (Orpheus in the Underworld, 1858/1874) satirizes the lavish world of the Parisian bourgeoisie under Napoleon III’s reign, portraying Orpheus and Eurydice as a mismatched couple who are quite happy to be separated by death. This operetta features the famous “can-can” or “galop infernal” (“infernal ...
The myth of the musician Orpheus—who travels to the underworld to retrieve his dead wife, Eurydice—probes the deepest questions of desire, grief, and the power (and limits) of art.
Nov 11, 2021 · The latest is Matthew Aucoin, whose “Eurydice,” based on the 2003 play by Sarah Ruhl, premiered at the Los Angeles Opera early last year and opens at the Metropolitan Opera on Nov. 23.
