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- At a time when Europe was taken by the Art Nouveau style of architecture, Loos traveled around in America to places like Philadelphia, Chicago, New York, and St. Louis between 1893 to 1896 where he witnessed the advances and evolution of architectural language in the western world, especially post the industrial revolution.
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May 22, 2022 · It was rooted in urban settings and the post-war influx of young American writers fleeing the puritanical spirit at home added energy to the avant-garde. The presence of African-American performers and musicians boosted the raucous mood amongst the cosmopolitan mix of artists in Paris and Berlin.
I would argue that Loos’s acute aural sensibility—his attention to voices, acoustics, and reverberation— provides an essential entry point to understanding his late works. The less Loos could hear, the more his buildings began to suggest prosthetic devices—extensions, perhaps, of his trusted hearing trumpet.
Adolf Loos was an Austrian architect whose planning of private residences strongly influenced European Modernist architects after World War I. Frank Lloyd Wright credited Loos with doing for European architecture what Wright was doing in the United States.
- The Editors of Encyclopaedia Britannica
- Life
- Architectural Works
- Ornament and Crime and Other Writings
- Major Works
- References
Adolf Loos was born in present day Czech Republic, formerly Moravia, in the town of Brno on December 10, 1870 (though his official nationality is Austrian). The art of building was introduced to him at an early age by his father, who was a stone mason. At age seventeen he started school at the Royal and Imperial State College at Reichenberg in Bohe...
Loos' work, although varied in style, is best known for a period of houses of highly stereometric form and white color. The ornamentation of the exteriors was greatly simplified. The interiors were, in contrast, highly complex spatially and materially luxurious. In 1899, Adolf Loos designed the Cafe Museum, considered one of the most notable projec...
Adolf Loos expressed himself strongly through writing. He is probably more famous for his opinionated literature than his architecture. He started publishing his thoughts in 1897 in the The Neue Freie Presseof Vienna. His topics did not focus on architecture but more on the flaws of society, which were the cause of much suffering in the lives of or...
Cafe Museum, at Vienna, Austria, 1898 to 1899.Wohnung Leopold Langer, at Vienna, Austria, 1901.Villa Karma, Clarens, at Montreux, Switzerland, 1904 to 1906.Wohnung Rudolf Kraus, at Vienna, Austria, 1907.Gravagnuolo, Benedetto, and C. H. Evans. 1982. Adolf Loos, theory and works. Idea Books architectural series. New York: Rizzoli. ISBN 0847804143 ISBN 9780847804146Lustenberger, Kurt. 1994. Adolf Loos. Zurich: Artemis. ISBN 187405603X ISBN 9781874056034 ISBN 3760881467 ISBN 9783760881461.Münz, Ludwig, and Gustave Künstler. 1966. Adolf Loos, pioneer of modern architecture.New York: Praeger.Tournikiotis, Panayotis. 1994. Adolf Loos. New York, NY: Princeton Architectural Press. ISBN 1878271806 ISBN 9781878271808.Adolf Franz Karl Viktor Maria Loos [1] ( German pronunciation: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement.
Underlying Philosophy of “Ornament and Crime”. “Ornamentation is a crime.” is a famous phrase from the distinguished architect Adolf Loos. Loos believed that the evolution of culture could be achieved only when the removal of ornamentation from utilitarian objects happens.
Dec 4, 2013 · Adolf Loos, the enigmatic Moravian-born architect, is better known for his writings than his buildings. A century after the publication of his polemical essay “Ornament and Crime,” a Columbia...
