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    • Anton Webern | Austrian Composer & 12-Tone Pioneer
      • With Schoenberg, and soon also his friend the young composer Alban Berg, Webern explored new dimensions of musical expression, leading to the breakthrough that established “ atonality ”—a revolutionary concept abnegating the necessity of a governing tonal centre. But from the start Webern created a style distinctly his own.
      www.britannica.com › biography › Anton-Webern
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  2. Anton Webern was an Austrian composer of the 12-tone Viennese school. He is known especially for his passacaglia for orchestra, his chamber music, and various songs (Lieder). Webern’s father, a mining engineer, rose to the highest rank of his profession, becoming chief of mining in the Habsburg.

    • Hans Moldenhauer
  3. Jan 6, 2015 · Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique.

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  4. Anton Webern (December 3, 1883 – September 15, 1945) was an Austrian composer. He was a member of the so called Second Viennese School.

  5. Sep 9, 2020 · Although his music was not well-known before WWII, the output of composer Anton Webern was eventually hailed as a "cornerstone" of twentieth century music. We look at his career and what made him so influential.

    • why was webern a great composer of the middle1
    • why was webern a great composer of the middle2
    • why was webern a great composer of the middle3
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    • why was webern a great composer of the middle5
  6. Anton Webern was an Austrian composer, teacher and conductor. He is known for extending the twelve-tone system made famous by Austrian composer Arnold Schoenberg. Webern is best known for breaking with tonality and for creating serial composition.

  7. Austrian composer and conductor. With Arnold Schoenberg and Alban Berg, a leading exponent of twelve-tone composition. With their self-defined position as the musical heirs to Beethoven, Brahms, and Mahler, the composers of the Second Viennese School were firmly grounded in the music of the past.

  8. Yet despite their brevity and density, his compositions had considerable impact: Stockhausen successfully applied Webern’s thinking to the new sonic resources of the twentieth century, and Stravinsky described his pieces as ‘dazzling diamonds’. Webern’s family came from aristocratic Tyrolean stock.

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