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Apr 1, 2022 · Mark Rothko’s 1954 ‘Untitled (Yellow and Blue)’ painting sold for $46.5 million in May 2015. There is no evidence that the artwork, which appears similar to the Ukrainian flag when turned...
May 12, 2015 · Few twentieth century masters have inspired greater awe and reverence in their followers than the painter Mark Rothko. To stand in front of his monumental and luminous ' Untitled (Yellow and Blue)' is to witness first hand how truly miraculous a painting can be.
- Untitled, 1952. Sold for: $66.2 million. In May 2014, Rothko’s 1962 untitled canvas soared past its $40 million estimate during a Christie’s New York evening sale, realizing $66.2 million.
- White center (Yellow, pink and lavender on rose), 1950. Sold for: $72.8 million. In May 2007, Sotheby’s sold White center (Yellow, pink and lavender on rose) for $72.8 million.
- No. 1 (Royal Red and Blue), 1954. Sold for: $75 million. In November 2012, No. 1 (Royal Red and Blue) from 1954 sold for $75.1 million at a Sotheby’s evening sale in New York.
- No. 10, 1958. Sold for: $81.9 million. In May 2015, Rothko’s No. 10 (1950) sold for $81.9 million during Christie’s postwar and contemporary art evening sale in New York.
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Mark Rothko is a key figure in Abstract Expressionism, best known for his large color field paintings like No.61 (Rust and Blue) (1953). Born Markus Rothkowitz in Dvinsk, Russian Empire (now Latvia) in 1903, Rothko and his family immigrated to the United States in 1913.
- American, Jewish, Latvian
- September 25, 1903
- Daugavpils, Latvia
- February 25, 1970
Yellow, Blue, Orange, 1955, is an oil on canvas painting. This abstract piece of art represents intriguing emotions and concepts evoked by colour and strokes of the brush.
No. 61 (Rust and Blue) is a 1953 painting by the Russian-American Abstract expressionist artist Mark Rothko. The work was first exhibited at the Museum of Modern Art, New York in 1961 but is now in the collection of the Museum of Contemporary Art, Los Angeles.
The signature style of Mark Rothko's paintings was termed as the technique of Colour Field painting, of which he was the most prominent member. Bold blocks of colour were given featured edges and together made up these large abstract compositions that remain particularly famous even today.
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