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- The Lord of the Rings: The Fellowship of the Ring - Howard Shore 2002: The tradition of grand fantasy trilogies in cinema returned with a vengeance in 2002 with the first Lord of the Rings movie. Just as iconic as the visuals and the story was Howard Shore's soaring score, which beat a double nomination for John Williams.
www.classicfm.com › events › oscarsWhich film scores have won best soundtrack at the Oscars? All ...
Foreign Language Film - France Sound - Vincent Arnardi, Guillaume Leriche, Jean Umansky Writing (Screenplay Written Directly for the Screen) - Screenplay by Guillaume Laurant and Jean-Pierre Jeunet; Dialogue by Guillaume Laurant
Film Editing - William Goldenberg, Paul Rubell, David Rosenbloom Best Picture - Michael Mann and Pieter Jan Brugge, Producers Sound - Andy Nelson, Doug Hemphill, Lee Orloff
The 74th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 24, 2002, at the Kodak Theatre in Hollywood, Los Angeles. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 2001.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
Mar 24, 2002 · The 74th Annual Academy Awards were hosted by Whoopi Goldberg on Sunday, March 24th, 2002. This was the first ceremony to be presented at the Oscar’s new home at the Kodak Theatre at the Hollywood & Highland Center. Live from the backstage pressroom, here’s our commentary on Hollywood’s big night:
Movies that won Best Sound Mixing Oscar. by KhurramAtta • Created 7 years ago • Modified 2 months ago. This is a list of movies that won the Academy Award for Best Sound Mixing.
AFI Awards, USA. CHICAGO gives contemporary audiences the "old razzle dazzle" with an explosion of talent and energy that dares them not to applaud after each musical number. The film pioneers new ground in this uniquely American art form and reminds us once again of the brilliance of Bob Fosse.
