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In 1858, Bierstadt exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy. [4] Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River Valley.
Albert Bierstadt was one of the first painters to capture the grandeur of the American West. His family emigrated from Germany in 1832 and settled in New Bedford, Massachusetts. He traveled to Wyoming, California, and Oregon, and turned his New York studio into a museum where people could see his paintings amid a vast collection of animal skins ...
Albert Bierstadt (January 7, 1830 – February 18, 1902) was an American painter best known for his lavish, sweeping landscapes of the American West. To paint the scenes, Bierstadt joined several journeys of the Westward Expansion.
This and other popular canvases by the German-born Albert Bierstadt shaped the visual identity of the American West in the United States and abroad. In early 1859 he accompanied a government survey expedition, headed by Frederick W. Lander, to the Nebraska Territory.
Arguably Bierstadt's most famous painting, Domes of Yosemite (1867), helped promote what was to become perhaps America's most cherished natural wonder: the mountain peaks of the Yosemite Valley.
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German-American painter best renowned for his opulent, expansive landscapes of the American West. He painted images from various Westward Expansion expeditions.
Utilizing studies gathered during all stages of his journey, Bierstadt completed, by the end of the decade, a remarkable series of large scale paintings that not only secured his position as the premier painter of the western American landscape but also offered a war-torn nation a golden image of their own Promised Land.
In this dramatic view of the Matterhorn, the artist depicted the cloud-encircled peak in the distance, strikingly juxtaposed with a low, rocky foreground. The vertical thrust of the mountain is reinforced by the towering pines at the lower left.
Albert Bierstadt (1830–1902) was a German-born American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes.
During his travels in the American and Canadian West, Bierstadt made oil sketches such as this one, which he used, back in his New York studio, for reference in concocting the huge, carefully detailed panoramic scenes that brought him critical acclaim during the 1860s and 1870s.
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