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Carmen Maria Machado (born July 3, 1986) is an American short story author, essayist, and critic best known for Her Body and Other Parties, a 2017 short story collection, and her memoir In the Dream House, which was published in 2019 and won the 2021 Folio Prize. [3]
Her Body and Other Parties: Stories; In the Dream House: A Memoir; The Low, Low Woods: A Graphic Series
Carmen Maria Machado is the author of the bestselling memoir In the Dream House, the graphic novel The Low, Low Woods, and the award-winning short story collection Her Body and Other Parties.
Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the ...
Apr 15, 2022 · In Carmen Maria Machado’s dazzling debut short story collection Her Body and Other Parties, the Vox Book Club’s pick for April, everything always comes back to the body.
Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award, the Kirkus Prize, LA Times Book Prize Art Seidenbaum Award for First Fiction, the Dylan Thomas Prize, and the PEN/Robert W. Bingham Prize for Debut Fiction, and the winner of the Bard Fiction Prize, the National Book ...
Apr 18, 2019 · Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked.
Oct 4, 2017 · The eight fables in Carmen Maria Machado’s “Her Body and Other Parties,” a finalist for the National Book Award, all depict women on the verge.
Oct 9, 2017 · Carmen Maria Machado’s Her Body and Other Parties is as strong, and strange, a short story collection as any you’ll read this year.
Oct 12, 2017 · The author Carmen Maria Machado, a finalist for this year’s National Book Award in Fiction, discusses the brilliance of an eerie passage from Shirley Jackson’s The Haunting of Hill House.