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Christopher Doll is Associate Professor of Music at Rutgers' Mason Gross School of the Arts.Dr. Doll is a theorist-composer specializing in recent popular and art music, particularly in tonality and intertextuality.
BA in Music, Case Western Reserve University. Biography. At Rutgers since 2007, Christopher Doll teaches graduate and undergraduate classes in music theory, analysis, composition, and the history of popular music. His scholarly interests include tonality, intertextuality, pedagogy, and forensic musicology, on which he has spoken at the Rock and ...
Jan 11, 2020 · By Christopher Doll | Music Theory Spectrum | Oxford Academic. Hearing Harmony: Toward a Tonal Theory for the Rock Era. By Christopher Doll. Music Theory Spectrum, Volume 42, Issue 1, Spring 2020, Pages 154–157, https://doi.org/10.1093/mts/mtz025.
- Nicole Biamonte
- 2020
Hearing Harmony: Toward a Tonal Theory for the Rock Era. By Christopher Doll. Ann Arbor, MI: University of Michigan Press, 2017. 320 pp. ISBN 0472073524 | Popular Music | Cambridge Core.
Feb 15, 2012 · Oddly, Mr. Berger’s presentation was followed by “Beatles Heroes: Digitally Recanonizing the Fab Four” by Christopher Doll, a Rutgers music theorist and composer, and “A Brief History of...
-Trevor de Clercq, “A Pop-Rock Theory for the Future: A Response to Christopher Doll and Joseph Swain,” 18/3, 2013, pp. 173–179 -Sergio Lasuén, “Synchronic versus Diachronic Approaches to Teaching Tonal Harmony: A Response to Christopher Doll,” 18/3, 2013, pp. 180–182
the Film Inception” by Christopher Doll, SMT-V 4.1 Between “diegetic” film music (heard by the characters) and "nondiegetic" film music (heard only by the audience) is a paradoxical space called the "fantastical gap." A film such as Inception (2010) makes traversal of this gap into an overt theme, obscuring our
