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Capriccio. (music) A capriccio or caprice (sometimes plural: caprices, capri or, in Italian, capricci ), is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuosic in nature. The term has been applied in disparate ways, covering works using many different ...
Capriccio, lively, loosely structured musical composition that is often humorous in character. As early as the 16th century the term was occasionally applied to canzonas, fantasias, and ricercari (often modelled on vocal imitative polyphony). Baroque composers from Girolamo Frescobaldi to J.S. Bach.
- The Editors of Encyclopaedia Britannica
An instrumental work that composed in free and irregular style. "Caprice" refers to a lively and often whimsical musical composition or performance known for its free and spirited nature. Typically, it is a short and spirited piece of music that allows composers or performers to showcase their technical abilities, creativity, and expressiveness.
The Caprice. A capriccio or caprice (sometimes plural: caprices, capri or, in Italian, capricci), is usually a lively style of music, typically with a free form and structure. The music is fast, intense and often virtuosic. The term was first used in 1561 by the Franco-Flemish composer Jacquet de Berchem, who applied it to a set of madrigals.
caprice: [noun] a sudden, impulsive, and seemingly unmotivated notion or action. a sudden usually unpredictable condition, change, or series of changes.
Capriccio (music) A capriccio or caprice (sometimes plural: caprices, capri or, in italian, capricci ), is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuostic in nature. The term has been applied to a variety of works: in the Baroque era it was often ...
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Dec 29, 2020 · CAPRICCIO (Ital.; Fr. caprice ), (1) This name was originally given, according to Marpurg, to pieces written for the harpsichord in a fugued style, though not strict fugues. It was also sometimes applied to actual fugues, when written upon a lively subject; and the composition was consequently for the most part in quick notes.
