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  1. 1. Bitmax. BitMax is one of the best known names, making our list of best film aggregators of 2021. In many circles, BitMax has a strong reputation as one of the top film aggregators. And one of the far few where you won’t hear a bad word about them. Their pricing starts at $600 for a feature-length film.

    • Why Do You Need An Aggregator?
    • So What Does An Aggregator do?
    • How Much Does It Cost?
    • Who Are They?

    Aggregators are the gatekeepers between you and the big platforms. iTunes, for example, will only accept content from an approved encoding house, many of which are also preferred aggregators. In theory, you can apply to send them content directly from an Apple-approved encoding house. However, most of us wont meet the application requirements — lik...

    Generally, you can expect an aggregator to encode your film to the specs of a particular platform, and then deliver it to them. This can include helping you pass QC, packaging your film's assets for CC and subtitles, and putting together all your artwork and metadata according to the required format of each of the platforms/territories. In some cas...

    Fees are usually around $1K for your first feature film platform delivery, and a smaller fee per platform after that. Some aggregators also charge a percentage of your revenues. Revenue share could be worth considering if you are able to lower upfront fees that you don't have the budget for. Otherwise, there are many aggregators now who don't deman...

    Here is a handful of aggregators to get you started. While this is not a comprehensive list of every company out there, it is based off of US iTunes preferred partners. (Check out the full list here.) If iTunes is not high on your priority list, there may be other great aggregators out there for you. (And feel free to recommend those we’ve missed i...

  2. Quiver Digital. Quiver were the preferred aggregator for Sundance’s Creative Distribution Initiative, and comes highly recommended by Jim Cummings. Price: Charge up front. Feature films are $1395 for the first platform and $225 for each platform after that, and Shorts are $795 for the first platform and $175 for each subsequent one.

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  3. Film aggregators are specialized companies or platforms that help independent filmmakers navigate the distribution landscape. They act as intermediaries between filmmakers and digital platforms, facilitating the submission, encoding, delivery, and management of films to multiple outlets, such as streaming services, video-on-demand platforms, and online marketplaces.

  4. aggregator and rarely accept outside pitches from individual filmmakers or content producers. - If deciding to self-distribute, hiring an aggregator is essential to your film’s success. - Aggregators may charge setup fees and even partial ownership in your film, so keep that in mind when searching for an aggregator.

  5. And this means hiring a sales agent to represent you and sell your film at festivals and markets. 4. Pre-sale Distribution. You don’t need to make a film to secure a distribution deal. Pre-sale distribution is a guarantee from a distribution company that they will represent your film once the project is complete.

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  7. Film distributors and film aggregators play distinct but complementary roles in the film distribution landscape. While distributors focus on acquiring rights, marketing, exhibition planning, and revenue generation, aggregators specialize in simplifying the distribution process, providing access to multiple platforms, and expanding audience reach.

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