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Ultimately, Der Rosenkavalier contains some of the most sublime music known to man and the highlights, such as the “Presentation of the Silver Rose” scene and the concluding trio and duet, when the Marschallin renounces any claim on Rofrano and yields him to the ecstasy of love for Sophie,
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Der Rosenkavalier. Alt ernative Title. Komödie für Musik in drei Akten. Name Translations. 玫瑰騎士; Il cavaliere della rosa; Rosenkavaleren; Ruusuritari; ばらの騎士; Name Aliases. Кавалер розы (опера); Кавалер роз (опера); Le Chevalier à la rose (Richard Strauss); Le chevalier à la rose; Le Chevalier ...
- Komödie für Musik in drei Akten
- Der Rosenkavalier
- Online Opera Guide & Synopsis to Strauss’ Der Rosenkavalier
- Hofmansthal’S Libretto
- Richard Strauss’ Compositional Technique
- The Proximity to Mozart’s Figaro
- The Role of Octavian
- Inventions
- The Total Work of Art of The Premiere
- Criticism
- The Night of Love
- Octavian Disguises as Mariandl
The Rosenkavalier offers music lovers two of the most sublime scenes in the entire opera literature. The presentation of the silver rose and the closing scene are to be mentioned. Like Mozart, Strauss was a composer for female voices and with this opera he created with the Marschallin, Sophie and Octavian three immortal roles for sopranos. The thre...
Der Rosenkavalier is the first work created jointly by Strauss and Hofmansthal from the the very beginning. When Hofmansthal had the plot ready, he dispensed with a prose text and designed the work from the beginning as a libretto. Hofmansthal may be called the true creator of this the story, even though he borrowed from various oeuvres such as Mol...
Richard Strauss gave a detailed interview to the English newspaper “daily mail” and used the Rosenkavalier as an example to describe his approach to composing an opera: “Before I make even the smallest sketch of an opera, I allow the text to linger and mature in my mind for at least six months, so that I am completely familiar with the characters a...
After Elektra and Salome, Strauss was eager to create for once a cheerful work. Hofmansthal already had a subject (“Cristina’s Journey Home”), but soon they switched to the new subject and called it “Ochs von Lerchenau” at the beginning. It was set in Maria Theresia’s Vienna of the 1740s and was inspired by Wolfgang Amadeus Mozart, the two called i...
Octavian has a tremendous stage presence. He is on stage almost non-stop and is the main partner and coveted object for all three other leading roles. It is the longest role and he sings the first and last word. If this is not demanding enough, he has to balance a double masquerade: a soprano who plays a young man pretending to be a young woman.
In spite of the historicizing nature of the piece, two things are pure inventions of the creative duo. Firstly, the Rose Ritual never existed and secondly, waltz music did not yet exist in the time of Maria-Theresa, the music was an invention of 19th century bourgeois Vienna. Anachronism? Many of Strauss’ artist colleagues could not believe it. How...
The outstanding stage designer Alfred Roller (whose collaboration with Gustav Mahler at the Vienna Court Opera from 1903 on can be called congenial) was engaged early on to design the sets and figures. His stage designs and the stage direction book he developped (and in some cases threw replaced Strauss’ and Hofmannsthals directions) were expressly...
Although the work was praised by critics , the libretto was sometimes described as impure and humorless. The audience, however, was enraptured and the echo was so enormous that Rosenkavalier special trains were used from Berlin to Dresden.
Moving music describes their stormy night of love. Two motives are heard in the orchestra, a masculine (dotted, wind) and a feminine (lyrical, string) motive. This scene caused controversy from the beginning. The constellation was seen as delicate and the scene was changed from the very first performance. Strauss was annoyed by this and repeatedly ...
Quinquin, es ist ein Besuch – Schwarzkopf / Ludwig A beautiful short trio with waltzes shows the baron as a wanna-be lady-killer. Hat sie schon einmal mit einem Kavalier im tête-a-tête zu Abend gegessen Wollen Euer Gnaden leicht den jungen Herrn – Fleming / Rydl / von Otter
About the opera Der Rosenkavalier. Der Rosenkavalier (Op. 59) (The Knight of the Rose) is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière's comedy Monsieur de Pourceaugnac.
Der Rosenkavalier, suite, TrV 227d (Strauss, Richard) This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies.
- Public Domain-Non-PD US [ tag / del]
- Columbia Masterworks, 1957. ML 5177.
- Source: Internet Archive
Jun 4, 2017 · Octavian, the ardent 17-year-old chevalier, is one of the most interesting characters in opera. Known as a “trouser” or “breeches” role, it is played en travesti — the male character is ...
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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [3]
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