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Mar 19, 2007 · 1. Life and Works. 2. The Romantic Turn. 3. Poetics and Aesthetics. 4. Philosophical Apprenticeship: Schlegel on Idealism and Transcendental Philosophy. 5. Ethical, Social and Political Philosophy. 6. Later Philosophy of Life, History and Religion. Bibliography. Schlegel’s Writings. Secondary Literature. Academic Tools. Other Internet Resources.
that 'the view it presents will strike most readers as far saner than the typical eighteenth-century attitudes which Schlegel attacked'.3 No one, so far as I know, has done the same for Gutzkow. My purpose in this paper is to re-examine these two works as documents in the history of individualism.
Dec 16, 2020 · It has sometimes been claimed that early German Romanticism presents a radical and emancipatory view of women, gender, and gender relations, particularly in the early work of Friedrich Schlegel. Hans Eichner, for example, states that “Schlegel’s Lucinde is a passionate protest against the inequality of the sexes and the condemnation of ...
- Anna Ezekiel
- 2020
Oil painting after Domenico Quaglio (1832) Karl Friedrich von Schlegel was born on 10 March 1772 at Hanover, where his father, Johann Adolf Schlegel, was the pastor at the Lutheran Market Church. For two years he studied law at Göttingen and Leipzig, and he met with Friedrich Schiller. In 1793 he devoted himself entirely to literary work.
12 Nostalgia in Schlegel's Gender Theory charts the course for the future of nostalgia. Schlegel is an enthusi ast who senses his nation to have reached a point of crisis and transition. What makes Schlegel an enthusiast is that he recognizes the latent potential precisely in fragmentation and chaos of his own time and nation.
Aug 28, 2017 · Women in German Literature: A Different Approach to Teaching Literature Elke Frederiksen I. Goals of the Course. The purpose of the course was to investigate the changing literary images and social roles of women from the beginning of the nineteenth century to the present: women as seen by men, women as seen by other women, and women in ...
The poet he regarded as “der vollendete Mimus” was Shakespeare (1, 5; L.N. 56), and he insisted time and again that poetry must befanlastisch as well as mimisch. In his essay, “Schiller and the Genesis of Romanticism” (MLN, xxxv, 142 ff.), Lovejoy overemphasizes Schlegel's realistic tendencies.
