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  1. Apr 23, 2010 · So when Malick said, “Let’s do this,” Geisler and Roberdeau, drunk on his prose poetry, agreed, paying him $400,000. Late in the summer of 1990, Malick had turned in the first draft of ...

  2. But how did it all began? It was back in 1978 when producer Bobby Geisler first contacted Terrence Malick, suggesting he should direct a film adaptation of In the Boom Boom Room, a play by David Rabe. The filmmaker refused, but ten years later met with Geisler once again.

  3. Dec 23, 1998 · It’s been reported that Malick shot close to a million feet of film, several times the norm for a feature, and it’s likely that a longer, more illuminating cut of “Thin Red Line” at one time...

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  5. Apr 2, 1999 · On Malick’s side were Twentieth Century Fox and Phoenix Pictures, which threatened to erase Geisler’s and Roberdeau’s names from the film when they spoke publicly about their tumultuous...

  6. Dec 21, 1998 · Like a Rousseau painting splattered with carnage of warfare, “The Thin Red Line” indelibly presents a worldly paradise devastated by man’s irrepressible impulse to destroy. Terrence Malick ...

  7. Sep 13, 1997 · The script wasn't ready so Geisler and Roberdeau in 1989 commissioned Malick to do a stage adaptation of "Sancho the Bailiff," an ancient Japanese tale that had been made into a film by...

  8. Jan 28, 2012 · Prior to the release of “The Thin Red Line” in 1998, producers Robert Michael Geisler and John Roberdeau allegedly violated a confidentiality clause they had signed by giving an interview to...

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