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  1. With a distinctly Brechtian dose of provocation and a score featuring songs that have become classics of the American Musical Theater, Cabaret is a fierce, meaty musical that pushes the boundaries of the form and literally holds “the mirror up to nature.”

    • Songs

      A song with an asterisk (*) before the title indicates a...

    • Characters

      Cabaret characters breakdowns including full descriptions...

    • Context

      After an extensive development process, the Original...

    • Listen

      Cabaret historical context, production history and expert...

    • Quizzes

      Test your knowledge about Cabaret with these fun and...

    • Videos

      Cabaret video clips including performance examples....

    • What’s The History?
    • What’s The Story?
    • What Was Different in The Movie?
    • How Are The songs?
    • How Do They Compare overall?
    • I Liked this. What Else Should I Watch?

    The From Stage to Screen blogs don’t usually require so much emphasis on the backgroundof a movie or show, but this is one of those instances where it’s difficult to talk about the differences without delving into its complicated history, so it gets its own special section just for that. Cabaret is a fascinating example of a work of art going throu...

    Though the show and the movie share a central core plotline and a common setting of 1931 Berlin, none of the subplots overlap at all. There are a few characters in common between the two: Sally Bowles, a nightclub singer who is determined to spend her life having the best, wildest time she possibly can; Cliff (called Brian in the film), a reserved,...

    Well, as you can see from that complicated synopsis, there are some significant changes. Aside from the abundant plot substitutions, Fosse made the decision to remove all the show’s “book numbers” — that is, songs that come out of nowhere where all the characters suddenly know the choreography and sing their feelings in rhyme. He kept in only the “...

    There’s no denying that Liza Minnelli is a joy to watch. She may not match the show’s characterization of Sally, but she lights up on the screen when the music starts playing. It’s no surprise that the movie launched her into stardom, though she’d already made a splash on Broadway with her performance in Kander and Ebb’s Flora the Red Menace, where...

    There are really two different stage versions of Cabaret: the original 1966 production and revamped version by Mendes. Let’s compare them both to the movie, in chronological order. The 1966 version: Hypothetically ranking the show (using Liza Minnelli’s first film, The Sterile Cuckoo, as a placeholder), it lands at #1212 out of 2337 on my personal ...

    Did you love the songs? Kander and Ebb also wrote the music for Funny Lady, Chicago, and the few original songs in New York, New York, including the title number. Liza Minnelli sings more in New York, New York, Stepping Out (to which Kander and Ebb contributed one song), and concert performances That’s Entertainment! and Liza With a Z. You can catc...

  2. Sally performs her final number at the Kit Kat Klub aided by a female ensemble of jazz babies ("Mein Herr"). The cabaret ensemble performs a song and dance, calling each other on inter-table phones and inviting each other for dances and drinks ("The Telephone Song").

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  4. Sally performs her final number at the Kit Kat Club aided by the female ensemble ("Mein Herr Lyrics"). The cabaret ensemble performs a song and dance, calling each other on inter-table phones and inviting each other for dances and drinks ("The Telephone Song").

  5. Jan 17, 2023 · Sophie Thomas 20 January, 2023, 01:55. John Kander and Fred Ebb's timeless Cabaret score is filled with musical theatre gems: "Maybe This Time," "Money," and "Mein Herr" all feature in the interwar musical. Set in early 1930s Berlin, Cabaret charts the rise of Nazi Germany through those who interact with the Kit Kat Club.

  6. Feb 28, 2013 · Fusing song, poetry, sketches, jazz, dance and theatre, cabaret demolished boundaries between high and low culture, artists and audience.

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