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Cabaret is an American musical with music by John Kander, lyrics by Fred Ebb, and a book by Joe Masteroff. It is based on the 1951 play I Am a Camera by John Van Druten, which in turn was based on the 1939 novel Goodbye to Berlin by Christopher Isherwood.
- “Willkommen”
- “So What?”
- "Don't Tell Mama"
- "Mein Herr"
- “Perfectly Marvellous”
- "Two Ladies”
- "It Couldn't Please Me More (A Pineapple)"
- “Tomorrow Belongs to Me”
- "Maybe This Time"
- "Money"
Welcome to the Kit Kat Club. It’s a place where anything goes. During the opening number, the Emcee invites audiences to the club, greeting audiences with a multilingual hello; “Willkommen, Bienvenue, Welcome.” When Kander and Ebb created the music, the opening song’s vamp was one of the first musical phrases set in stone. Speaking to The Independe...
It’s not all sparkles and glitz in Cabaret. Interwar Berlin is a dangerous place to be, and it’s hard to survive. When Fräulein Schneider offers American writer Cliff Bradshaw a room for 100 reichsmarks (around £45 a month), she eventually has to settle for Cliff’s 50 marks. In this song, Schneider reflects that you have to take what life offers — ...
“Don’t Tell Mama” is the first chance audiences have to see Sally Bowles in Cabaret. Before the song, the Emcee introduces her as the "Toast of Mayfair”. You’ll want to raise a glass to the brazen English singer as she performs a flirty number about her past debauchery.
Sally Bowles isn’t a one-trick pony. She’s got a variety of musical numbers up her sleeve. In "Mein Herr", the females play backup to Sally as she leads the brassy song about an overbearing man who tries to tame his woman. Nobody will rain on Sally's parade.
Cliff doesn’t just write for a living, he teaches English to his German friends and their fellow acquaintances. His life takes another unexpected turn when he decides to live with Sally Bowles — Sally's former flame Max kicked her out. At first, Cliff doesn’t want to live with Sally, but who can resist Sally's charm?
Bee-dle-dee bee-dle-dee dee, two ladies! This uptempo ditty sees the Emcee and two female singers perform a musical number that reflects Cliff and Sally’s new roommate situation.
Fraulein Schneider’s boarder, Herr Schultz, offers Schneider a pineapple as a romantic gesture. The Jewish fruit seller doesn’t have much, but in giving her the citrus fruit, it shows he wears his heart on his sleeve. Who knew a pineapple could represent so much?
As Cabaretprogresses, discussions about Nazi Germany rise to the surface too. In “Tomorrow Belongs to Me,” the congregation sing in unison about the Fatherland. The Nazi-inspired marching song was originally created to warn people about the rise of the political movement; it’s now an alt-right political anthem.
When Sally learns she’s pregnant, she’s unsure of who the father is. To save further anguish, she decides to abort the baby. Cliff tries to convince her to have the baby, but Sally reflects on her life so far. “Maybe This Time” is a haunting ballad that focuses on a woman on the edge of despair.
For the Emcee, “Money” makes the world go round. It’s possible this is also the case for Cliff. When Ernst Ludwig offers Cliff the chance to earn easy money, Cliff weighs up the options. Should he pick up a suitcase in Paris and deliver it to his client? Or should he say no and stay in Berlin?
Mar 24, 2015 · The stage version of Cabaret has two entirely different subplots. One centers on Ernst Ludwig, a German who forms a friendship with Cliff and offers him a job smuggling mysterious packages from Berlin to Paris. The other is the love story between Cliff’s landlady, Fraulein Schneider, and kind-hearted Jewish store owner Herr Schultz.
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Dec 13, 2021 · 13 December 2021. Marc Brennan. Eddie Redmayne and Jessie Buckley both shone on opening night on Sunday, critics said. Critics have been making a song and dance over the new West End production...
The song presents the Emcee and two female roommates, clearly illustrating the humor and perceived immorality of co-habitation. The song works better in the film in which it describes Sally, Brian, and Max's threesome, a situation more like the situation described in the song.
Music by John Kander, Lyrics by Fred Ebb. Broadway production directed by Harold Prince . Produced for the Broadway Stage by Harold Prince. Broadhurst Theatre, Broadway 20 November, 1966 (1166 perfs) Synopsis. The scene is a sleazy nightclub in Berlin as the 20s are drawing to a close.
As a musical style, Cabaret refers to two different aspects of music. The "nightclubs" were initially opened to provide a place for painters, writers, musicians, and other artists to gather, talk, perform, and experiment. The key to understanding cabaret as a style is that the music was all experimental.
