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The plot of The Taming of the Shrew hinges on the marriages of Baptista's two daughters. Over the course of the play, there is a significant tension between different understandings of what marriage is.
The Taming of the Shrew, though, is somewhat different: the play does not end with marriage. Instead, the marriage of Kate and Petruchio happens in Act III. The second half of the play offers a view of married life and the restructuring of identities and relationships within marriage. Like most of Shakespeare's comedies The Taming of the
The Taming of the Shrew takes a good hard look at marriage and, to a large extent, makes fun of the power struggles that occur within marital relationships. On the one hand, the story line and structure seem to promote typical 16th-century ideas toward matrimony and proper relations between husbands and wives. Yet, the play also goes out of its ...
Like the other romantic comedies, The Taming of the Shrew focuses on courtship and marriage, but, unlike most of them, it devotes a great deal of attention to married life after the wedding. The other comedies usually conclude with the wedding ceremony itself.
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Petruchio delivers these lines to the wedding guests after he and Katherine are married, and he likens Katherine to household objects and livestock. This line underlies his belief that marriage is equivalent to ownership because he compares Katherine to his other possessions.
He unfolds the entire story and at last, the matter is solved. During other events, Hortensio gets married to an affluent lady. In the last episode, the stage is set with three married couples. The three men develop an argument to prove the most submissive and obedient of the three brides.
Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage—specifically, how economic considerations determine who marries whom.
