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- The movie Cat People (1982) is a horror film directed by Paul Schrader.
www.scarystudies.com › scarepedia › cat-people-1982Cat People (1982) | Synopsis, Trivia, Reviews | Scary Studies
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Apr 2, 1982 · Cat People: Directed by Paul Schrader. With Nastassja Kinski, Malcolm McDowell, John Heard, Annette O'Toole. A woman who was orphaned from a young age finally reunites with her older brother. Matters start to go awry when she slowly discovers the true nature of her family.
- (24K)
- Fantasy, Horror, Thriller
- Paul Schrader
- 1982-04-02
Cat People. (1982 film) Cat People is a 1982 American supernatural horror film directed by Paul Schrader and starring Nastassja Kinski, Malcolm McDowell, John Heard, and Annette O'Toole. It is a remake of the 1942 RKO Radio Pictures film of the same name.
Paul Schrader's "Cat People" moves boldly between a slice-of-life in present-day New Orleans and the windswept deserts where the Cat People were engendered, and his movie creates a mood of doom, predestination, forbidden passion, and, to be sure, a certain silliness. It's fun in the way horror movies should be fun; it's totally unbelievable in ...
Director Paul Schrader's erotic horror art film Cat People (1982) is unlike other exploitation horror as his dreamy direction brings an arthouse spin on Jacques Tourneur's horror noir classic.
- (58)
- Paul Schrader
- R
- Nastassja Kinski
Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire. Read Critics Reviews. TOP CRITIC. Dec 30,...
- (72)
- Simone Simon
- Jacques Tourneur
- RKO Radio Pictures Inc.
Nov 1, 2023 · The movie Cat People (1982) is a horror film directed by Paul Schrader. The story follows Irena Gallier, a young woman who discovers that she is descended from a race of cat people. She has the ability to transform into a black leopard when sexually aroused or threatened.
Jul 9, 2020 · Most horror fans hated the film, and it certainly is a rather torrid muddle, with its ochre-tinted prologue evoking strange fertility rites in Africa, its solitary descent into visceral horror (a panther in a cage rips a man’s arm off), its rite-of-passage dream sequence (back to the red African dust again) and its symbolic final shot (Oliver re...
