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  1. Mar 22, 2019 · Most of “Dragged” is shot in low light, especially the final hour, but Zahler has a great sense of space and blocking, which helps keeps the film engrossing. And he draws a fascinating, world-weary performance from Gibson, who reminds one how good he can be with the right material.

  2. Dragged Across Concrete. Dragged Across Concrete is a 2018 American neo-noir [2] crime thriller film written and directed by S. Craig Zahler. It stars an ensemble cast that includes Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, Udo Kier, Thomas Kretschmann, and Don Johnson. The story ...

    • $660,132
    • Jeff Herriott, S. Craig Zahler
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  4. About: S. Craig Zahler is somewhat of a screenwriting legend. At one point he’d sold over a dozen [unproduced] screenplays. Since then, Zahler’s graduated into directing, and his newest project is the delicately titled, “Dragged Across Concrete.”. Sounds like a biopic about safe spaces. Zahler will be bringing back the star of his ...

  5. Man I just finished Dragged across concrete and I have to agree 100% with you. Didn't love Bone Tomahawk as much as Brawl and this one but I am right there with you when you say "he's a must see filmmaker for me." I will now be looking for anything Zahler puts out. The only other director I do that for is Tarantino. Can't wait for his next film.

  6. Dragged Across Concrete Script PDF. $2.75. Original Screenplay of Dragged Across Concrete written by S. Craig Zahler. Add To Cart. Original Screenplay of Dragged Across Concrete written by S. Craig Zahler. Original Screenplay of Dragged Across Concrete written by S. Craig Zahler.

    • S. Craig Zahler
  7. Apr 21, 2019 · Dragged Across Concrete is, unfortunately, kind of a drag. That’s partly because of the running time – more than two and half hours – which breaks the first rule of genre cinema: that it ...

  8. kfd.kinepolis.be › wp-content › uploadsPRODUCTION NOTES - KFD

    of DRAGGED ACROSS CONCRETE is bigger than those pictures and there is a larger sense of American communities and how they do and don’t co-exist. In this modern concrete landscape, a jazz orchestra illustrates the many hues of Ridgeman, Anthony, Henry Johns, Biscuit, Melanie, Kelly Summer, and the others who struggle to find their melodies.

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