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Jun 4, 2024 · Kan’ami (born 1333, Iga province, Japan—died June 8, 1384, Suruga province) was a Japanese actor, playwright, and musician who was one of the founders of Noh drama.. Kan’ami organized a theatre group in Obata to perform sarugaku (a form of popular drama that had apparently included tricks, acrobatics, and slapstick skits), which by his time had become plays with dialogue, acrobatics, and ...
Kan'ami. Kan'ami Kiyotsugu (観阿弥 清次, 1333 – June 8, 1384) was a Japanese Noh actor, author, and musician during the Muromachi period. Born Yūzaki Kiyotsugu (結崎 清次) in Iga Province, Kan'ami also went by Miyomaru (観世丸) and Kanze Kiyotsugu (観世 清次). He is the father of the well-known playwright Zeami Motokiyo ...
Mar 23, 2011 · The Nō, Japan's first great dramatic form, was fully developed by two great performers, Kannami (1333–1384) and his son Zeami (1363–1443), in the late fourteenth and early fifteenth centuries, the heart of the Muromachi period. The Nō remained one of Japan's primary dramatic forms, strongly influencing all later forms of Japanese drama.
The Nō, Japan's first great dramatic form, was fully developed by two great performers, Kannami (1333–1384) and his son Zeami (1363–1443), in the late fourteenth and early fifteenth centuries, the heart of the Muromachi period. The Nō remained one of Japan's primary dramatic forms, strongly influencing all later forms of Japanese drama.
Japanese musical dance drama. ... While the fourteenth-century playwright-performer Kannami (1333-1385) is regarded as the founder of Noh, his son Motokiyo Zeami (1363-1443) is acknowledged to be ...
Kannami (. ) Kanami or Kannami (1333 - June 16, 1384 (May 19, 1384 by the old calendar)) was a sarugakushi (a performer of sarugaku, a form of theatre popular in Japan during the 11th to 14th centuries) from the Period of the Northern and Southern Dynasty to the Muromachi Period. Together with his son, Zeami, he attained fame in the art of Noh.
Kanze Zeami (1364-1444), also called Zeami Motokiyo, was a Japanese actor, playwright, and critic. His theoretical works on the art of the No are as justly celebrated as his dramas. It was the great esthete, statesman, and patron of the fine arts, the shogun Ashikaga Yoshimitsu, who discovered Zeami and his father, Kannami, a brilliant No actor ...
