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  1. Lisa Kleiner Chanoff is co-founder of Catapult Film Fund. In 2010 Lisa and Bonni Cohen founded Catapult Film Fund in order to enable important and moving documentary films to get off the ground and to fill a gap in the documentary funding landscape for development support. Lisa has a decades-long commitment to helping projects get off the ground.

  2. Lisa Kleiner Chanoff. Lisa Kleiner Chanoff is co-founder of Catapult Film Fund. Catapult provides development funding and mentorship to help story-driven and cinematic documentary films get off the ground. Lisa has executive produced documentaries including Watchers of the Sky and Brimstone & Glory, as well as several narrative features.

  3. Dec 14, 2023 · Catapult Film co-founder and president Lisa Kleiner Chanoff has served as an advisor since the program’s inception in 2016. After being part of the grantmaking deliberation, she commented on the quality of the projects in the cohort.

  4. Oct 6, 2011 · Lisa Kleiner Chanoff is co-founder of Catapult Film Fund. She is an investor and philanthropist with a long history of involvement in education and the arts, as well as health and poverty issues. Lisas passion for early venture support has led to crucial first funding of projects, from San Francisco area education and poverty alleviation ...

  5. Nov 22, 2020 · The jury, comprising Gitte Hansen, Lisa Kleiner Chanoff and Luis González Zaffaroni, said the filmmakers’ aim was to “facilitate, capture, and show the process of empowerment of young...

  6. www.liftdocumentary.com › aboutAbout — Home

    Lisa Kleiner Chanoff is co-founder of Catapult Film Fund. In 2010 Lisa and Bonni Cohen founded Catapult in order to enable important and moving documentary films to get off the ground and to fill a gap in the documentary funding landscape for development support.

  7. Jan 30, 2023 · And when Catapult was founded back in 2010 by Lisa Kleiner Chanoff and Bonni Cohen, the fundamental idea was to provide funding for documentaries at the earliest stages. At that time, there was very little support out there for films at this stage in their development—a lot of times filmmakers were approaching us before there was any proof of ...

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