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Lloyd Kaufman. Stanley Lloyd Kaufman Jr., known professionally as Lloyd Kaufman (born December 30, 1945) is an American film director, screenwriter, producer and actor. Alongside producer Michael Herz, he is the co-founder of Troma Entertainment film studio, and the director of many of their feature films, such as The Toxic Avenger (1984) and ...
After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later re-titled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map. Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma ...
- January 1, 1
- 1.66 m
- New York City, New York, USA
Apr 8, 2022 · It’s now hard to remember a time when Lloyd Kaufman wasn’t making his last movie. As a director, Kaufman (“The Toxic Avenger,” “Poultrygeist: Night of the Chicken Dead”) has been circling his legacy as the leader (and co-founder) of Troma Films, the anarchic and proudly crass Long Island City-based distribution and production studio.
635 Seneca Road. Lehighton, PA 18235. (484) 613-1314. mahoningdit.com. GET TICKETS! For requesting an autograph, please send an 8″x10″ Self Addressed Stamped Envelope to: Troma Entertainment • Attn: Autographs. 36-40 11th St. • LIC, NY 11106 USA.
Jul 29, 2016 · Kaufman on the set of “The Toxic Avenger” (1984) Troma Entertainment. Many of the plots in Troma movies center on radiation, science gone terribly wrong, and a conspiracy of elites whose goal ...
- Graham Winfrey
Apr 3, 2022 · Troma founder Lloyd Kaufman traces his career from Squeeze Play! to Shakespeare's Shitstorm The schlock peddler and showman goes deep on "devil-worshipping conglomerates," more than 50 years of ...
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Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture. Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor.
