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Luigi Ceccarelli (born 20 April 1953 in Rimini, Italy) is an Italian composer. [1] Biography. Luigi Ceccarelli completed his musical studies in the ‘70s at the Gioachino Rossini Conservatory of Pesaro (Italy) where he studied Electronic Music and Composition with Walter Branchi, Giuliano Zosi and Guido Baggiani.
Luigi Ceccarelli completed his studies in Electronic Music and Composition at the Pesaro Conservatory with Walter Branchi, Guido Baggiani and Giuliano Zosi, dedicating himself to musical composition using electroacoustic technologies. His work as a composer, which began in 1975, is mainly based on digital technology such as processing of ...
Luigi Ceccarelli. Since the 1970s he has been dedicated to electroacoustic music composition with live performance. His works are generated by instrumental sounds and natural sounds that are electronically processed in real time and spread with multi-channel spatialization techniques.
Luigi Ceccarelli. Soundtrack: Stealing Beauty. Luigi Ceccarelli studied Electronic Music and Composition at Pesaro Conservatory. Since the 1970s he has worked as a composer using the most advanced and modern electronic technology available.
- Composer, Music Department, Soundtrack
- Luigi Ceccarelli
The Girl from Nagasaki is a 2013 romantic musical drama film directed by Michel Comte. [1] [2] The film had its premiere as the closing night film of the 2013 Naples International Film Festival on November 9, 2013. [3] . The film later screened at the 2014 Sundance Film Festival on January 18, 2014. [4] Plot.
Luigi Ceccarelli studied Electronic Music and Composition at Pesaro Conservatory. Since the 1970s he has worked as a composer using the most advanced and modern electronic technology available. He is interested in all forms of sound, irrespective of genre, and in the relationships between music and the performing arts.
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This page was last edited on 13 November 2020, at 02:43 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may apply.
