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Mort Cinder is an Argentine comic book horror - science fiction series featuring an eponymous character, created in 1962 by writer Héctor Germán Oesterheld and artist Alberto Breccia. It is widely considered as one of the best comic strips ever produced in Argentina. [1]
Mort Cinder. Mort Cinder is the protagonist of the homonymous series created by Argentine author Héctor Germán Oesterheld (1919-1978) and Uruguayan artist Alberto Breccia (1919-1993). It was published weekly in the Argentine periodical Misterix from July of 1962 to March of 1964. Afterwards, in the seventies, it was published with great ...
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Nov 15, 2018 · Mort Cinder's lack of passion is especially baffling given the personal history of Oesterheld provided at the back of the book: an uncompromising anti-fascist during the Argentine military dictatorship of the late 1970s, the writer’s commitment to releasing revolutionary work never wavered until his and his family's 1977 "disappearance". The ...
Dec 17, 2018 · Cinder is a passive participant and a blood sacrifice in his friend’s, Ezra Winston’s, dream. “The Slave Ship” (1500s). Cinder is a slave on board a slave ship. He makes friends with an African slave called, Wango. “Charlie’s Mother” (World War 1, 1917). Cinder is a British Infantry man in the trenches of France.
Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro.
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- Hardcover
Dec 4, 2018 · This first full story is my favorite of the bunch, an epic that is unique in its mysterious plot elements and atmospheric weirdness, evocative of the time the story was created but with a universal quality that maintains fascination. Ezra and his new friend Mort Cinder contend with other strange situations, often brought about by Ezra’s ...
Mort Cinder is a tall, vaguely heroic figure, but remains indistinct. For all the praise directed at Héctor Germán Oesterheld, his plots are lifted by Breccia’s art. There are thoughtful observations, such as the spiritual value of a copy that’s a labour of love, but it’s the art that holds the wonder. Three distinct phases apply to ...
