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Moviola Model D (1927) with a microscope attachment (left) by Gaertner Scientific Corporation from 1940. A Moviola ( / ˌmuːviˈoʊlə /) is a device that allows a film editor to view a film while editing. It was the first machine for motion picture editing when it was invented by Iwan Serrurier in 1924.
Aug 6, 2018 · The Moviola cost about $600 during its release in 1920 (roughly equivalent to about $20,000 today). It was too expensive for the regular consumer. An editor at Douglas Fairbanks Studios suggested to Iwan that his invention can be more useful if redesigned to service film editors. By 1924, the editing machine called Moviola was born.
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Dec 5, 2022 · Walter Murch: Moviola was an idea that I cooked up fifteen years ago, I think. The simple idea is to recreate an editing room from half a century ago, 1972, with what you would have – a Moviola, a rewind bench, a synchronizer, trim bins, an Acmade coding machine and pressure sensitive tape. Plus, something to cut.
The Moviola is a machine that was used for editing celluloid film, primarily from 1924 to 1970, with some editors using it for longer. “Moviola” is the trademark name of the upright model invented by Iwan Serrurier and made by the Moviola Company in America. Moviolas run film with foot pedals and have a four-inch wide viewer that magnifies ...
35mm Moviola film editing machine, model C-20, serial number 65987. A Moviola is a device that allows a film editor to view a film while editing. It was the first machine for motion picture editing when it was invented by Iwan Serrurier in 1924.
Nov 4, 2021 · 1924: The Moviola —the first video editing machine—is introduced, allowing editors to, for the first time, make edits while simultaneously viewing their film. 1934: The Academy Awards present the first-ever Oscar for Best Film Editing (awarded to Conrad A. Nervig for the movie “Eskimo”). While not a technological or process advancement ...
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In motion-picture technology: Editing equipment. …the Hollywood standard was the Moviola, originally a vertical device with one or more sound heads and a small viewplate that preserves much of the image brightness without damaging the film. Many European editors, from the 1930s on, worked with flatbed machines, which use a rotating prism ...