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1965 (age 58–59) Trinidad, Trinidad and Tobago. Nationality. British. Occupation (s) Senior Production Executive, BFI. Years active. 1991 – present. Natascha Wharton (born 1965) is a British film producer and founder of WT 2 Productions, an independent film production company, and subsidiary of Working Title Films .
Natascha Wharton was born in Trinidad, to a Trinidadian father and German mother, and her introduction to cinema was at the local drive-in. Before joining the Film Fund, Natascha worked at Working Title Films, initially in the development department, across titles including Bridget Jones and Elizabeth but in 1999 set up a low budget division to support emerging filmmakers.
- Producer, Additional Crew, Executive
- Natascha Wharton
2002. Long Time Dead …. Co-Producer. 2000. Billy Elliot …. Producer. Natascha Wharton is known as an Executive Producer, Producer, Delegated Producer, and Co-Producer. Some of her work includes Shaun of the Dead, Hot Fuzz, Paul, Billy Elliot, The Boy Who Harnessed the Wind, Ali G Indahouse, Early Man, and Trespass Against Us.
Mary Cadwalader Rawle Jones (sister-in-law) Signature. Edith Wharton ( / ˈhwɔːrtən /; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American writer and designer. Wharton drew upon her insider's knowledge of the upper-class New York "aristocracy" to portray realistically the lives and morals of the Gilded Age.
She lived in France for the rest of her life. A year after her move to Paris, World War I broke out. As a wealthy woman, she could have returned to the United States. Edith decided to stay in Paris and use her money for charity, building homes and schools for refugees from Belgium.
Private international law. Family and criminal code. (or criminal law) v. t. e. Divorce in the United States is a legal process in which a judge or other authority dissolves the marriage existing between two persons. Divorce restores the persons to the status of being single and permits them to marry other individuals.
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for love, "selling" her infant daughter back to her husband in order to secure a two-million-dollar settlement. The scenario foreshadows Undine Spragg's custody negotiations with Ralph; in fact, it was from Wharton that Grant had heard of the New York divorcee who had received millions for just such an arrangement.9 In a comic vein, Lang-
