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  2. Beginning in 1923 after the Buescher Band Instrument Company placed a crown on his head, the media referred to Whiteman as "The King of Jazz". Whiteman emphasized the way he approached the well-established style of jazz music, while also organizing its composition and style in his own fashion.

  3. Apr 15, 2024 · Paul Whiteman (born March 28, 1890, Denver, Colorado, U.S.—died December 29, 1967, Doylestown, Pennsylvania, U.S.) was an American bandleader, called the “King of Jazz” for popularizing a musical style that helped to introduce jazz to mainstream audiences during the 1920s and 1930s.

    • The Editors of Encyclopaedia Britannica
  4. en.wikipedia.org › wiki › King_of_JazzKing of Jazz - Wikipedia

    King of Jazz is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls.

  5. Nov 25, 2021 · 531. 22K views 2 years ago. King of Jazz is a 1930 American pre-Code color film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural...

    • Nov 25, 2021
    • 24.2K
    • Cinema4Reel
  6. King of Jazz: Directed by John Murray Anderson, Walter Lantz. With Paul Whiteman, John Boles, Laura La Plante, Jeanette Loff. American Pre-Code color film starring Paul Whiteman and his Jazz orchestra.

    • (1.6K)
    • Comedy, Musical
    • John Murray Anderson, Walter Lantz
    • 1930-04-20
  7. Jan 22, 2020 · January 22, 2020. Profiles In Jazz. A household name during the 1920s, Paul Whiteman led the most popular orchestra of the decade. He expertly mixed together occasional jazz pieces with semi-classical works, sweet and hot vocals, novelties, waltzes, and first-class dance music.

  8. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

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