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  1. Pawel Pogorzelski (born 1979) is a Polish-Canadian cinematographer, known for his work with director Ari Aster. Pogorzelski was born in 1979 in Włocławek, Poland but moved to Montreal with his family when he was 2. He studied at Concordia University, receiving an undergraduate degree in media communication.

  2. Pawel Pogorzelski was born on 30 July 1979 in Wloclawek, Kujawsko-Pomorskie, Poland. He is a cinematographer and producer, known for Hereditary (2018), Midsommar (2019) and Nobody (2021).

    • January 1, 1
    • 29 min
    • Wloclawek, Kujawsko-Pomorskie, Poland
  3. Pawel Pogorzelski participated in a live, interactive interview as part of RED’s Behind the Look Virtual Cinematography Series in April 2020. This Q&A is an excerpt from that conversation with Naida Albright, Filmmaker Liaison for RED. Pawel Pogorzelski is known for his critically acclaimed work on director Ari Aster’s Midsommar and Hereditary.

  4. Pawel Pogorzelski (born 1979) is a Polish-Canadian cinematographer, known for his work with director Ari Aster. Pogorzelski was born in 1979 in Włocławek, Poland but moved to Montreal with his family when he was 2. He studied at Concordia University, receiving an undergraduate degree in media communication.

  5. Crew. How to Make ‘Midsommar’ Cinematographer Pawel Pogorzelski Say, ‘We Got the Shot’. By Casey Mink | Last Updated: June 3, 2021. Photo Source: Courtesy of A24. “Midsommar,” the just-released...

  6. Bio. Pawel Pogorzelski is an award-winning and well-traveled Cinematographer whose hope is to portray the human psyche through challenging and beautiful images. His work has been captured in features and shorts on 16mm and 35mm film, digital, as well as through photography and artistic collaborations.

  7. on Jul 11, 2019. Ari Aster, Hereditary, Midsommar, Pawel Pogorzelski. In the span of just two features, writer/director Ari Aster and cinematographer Pawel Pogorzelski have forged a signature style that cloaks the heightened emotions of melodrama behind the veil of the horrific.

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