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  2. Georges-Pierre Seurat (French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist painter and draftsman. He is noted for his innovative use of drawing media and for devising the painting techniques known as chromoluminarism and pointillism.

    • The Circus

      ‘The Circus’ was created in 1891 by Georges Seurat in...

    • Deutsch

      Georges Seurat war im Jahr 1883 erstmals und zum einzigen...

    • Alfalfa, St. Denis

      ‘Alfalfa, St. Denis’ was created in 1886 by Georges Seurat...

    • Young Woman Powdering Herself

      Jeune femme se poudrant (Young Woman Powdering Herself) is a...

    • Childhood
    • Early Training
    • Mature Period
    • Late Period
    • The Legacy of Georges Seurat

    Georges Seurat was born in Paris December 2, 1859, the youngest of three children. His father, Chrysostome-Antoine Seurat, was a bailiff; his mother, Ernestine Faivre, came from a prosperous family that had produced several sculptors. Seurat's eccentric father had already retired with a small fortune by the time Seurat was born, and he spent most o...

    Seurat's formal training began around 1875, when he entered the local municipal art school under the sculptor Justin Lequien. There, he made a friend of Edmond Aman-Jean (1858-1935) and together they entered the École des Beaux-Arts run by Henri Lehmann, a disciple of the Neo-Classical painter Jean-Auguste-Dominique Ingres. Seurat attended the Acad...

    Seurat began to apply his theoretical research to compositions executed between 1881 and 1884, culminating in his first major painting project, the Bathers at Asnières (1884). This monumental canvas depicted a group of workers relaxing by the Seine and was based on numerous small oil sketches and figure studies. The final composition is an accompli...

    The exhibition of La Grande Jattein 1886 unexpectedly aroused interest in Seurat's work internationally. Soon after the exhibition, Seurat was mentioned in an avant-garde review and some of his paintings were shown by the renowned art dealer Paul Durant-Ruel in both Paris and New York City. During this time he began associating with a very enclosed...

    Seurat was only 31 when he died, yet he left behind an influential body of work, comprising seven monumental paintings, hundreds of drawings and sketches, and around 40 smaller-scale paintings and sketches. Although his oeuvreis relatively small in quantity, it had a lasting impact. He was among the first artists to make a systematic and devoted us...

    • French
    • December 2, 1859
    • Paris, France
    • March 29, 1891
  3. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.

  4. Here we see Seurat adeptly using the technique of pointillism. Pointillism is a technique of painting in which the artist paints by applying thousands of tiny dots, or points, of colour....

  5. Inspired by recently published research in optical and color theory, Georges Seurat distinguished his art from what the Impressionists considered a more intuitive painting approach by developing his own “scientific” style called Pointillism.

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  6. Seurat painted A Sunday on La Grande Jatte—1884 using pointillism, a highly systematic and scientific technique based on the hypothesis that closely positioned points of pure color mix together in the viewer’s eye.

  7. A Sunday Afternoon on the Island of La Grande Jatte ( French: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat 's most famous work. [1] A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement.

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