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In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major Post-Impressionist painter to push the aesthetic of the Impression even further.
Working in Arles, Van Gogh completed a series of paintings that exemplify the artistic independence and proto-Expressionist technique that he developed by the late 1880s, which would later strongly influence Henri Matisse (1869–1954) and his circle of Fauvist painters, as well as the German Expressionists.
Van Gogh generally considered the greatest after Rembrandt, and one of the greatest of the Post-Impressionists. The striking colour, emphatic brushwork, and contoured forms of his work powerfully influenced the current of Expressionism in modern art.
- Dutch
- March 30, 1853
- Zundert, Netherlands
- July 29, 1890
The Potato Eaters Vincent van Gogh • 1885- Japonaiserie (after Hiroshige) Vincent van Gogh • 1887
- Paul Gauguin's Armchair Vincent van Gogh • 1888
- Red Vineyards at Arles Vincent van Gogh • 1888
- Sower with Setting Sun Vincent van Gogh • 1888
- Still Life - Vase with Fifteen Sunflowers Vincent van Gogh • 1888
- Irises Vincent van Gogh • 1889
- Landscape with House and Ploughman Vincent van Gogh • 1889
- Self Portrait with Bandaged Ear Vincent van Gogh • 1889
Apr 29, 2024 · Post-Impressionism, in Western painting, movement in France that represented both an extension of Impressionism and a rejection of that style’s inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul Cézanne, Georges Seurat, Paul Gauguin ...
- The Editors of Encyclopaedia Britannica
- Beginnings of Post-Impressionism
- Post-Impressionism: Concepts, Styles, and Trends
- Later Developments - After Post-Impressionism
Impressionism and the Rise of Post-Impressionism
In 1872, Claude Monet radically altered the path of painting, ushering in a revolutionary mode of visual expression in which artists responded to their modern surroundings. This was achieved in the painting Impression, Sunrise (1872), in which Monet used each visible brushstroke to record exactly how the light from the sun fell upon the steamships and water below. The critic Louis Leroy derisively dubbed their style of painting "Impressionist" because of the visible brushstrokes, and unwittin...
Seurat and Pointillism
The earliest herald of the new trend that broke with Impressionism was Georges Seurat. He developed the style of painting known as Pointillism, which refers to the use of a point, or dot, as the basis for the construction of a painting. The larger stylistic movement of Seurat's followers is known as Neo-Impressionism, but the movement is also identified as "chromo-luminarism" or Divisionism. Seurat explored a new, scientific approach to the representation of color and extended the Impressioni...
Van Gogh and Japonisme
Vincent van Gogh relied upon saturated colors and broad brushstrokes to evoke the inner turmoil of the artist. Along with Gauguin, he experimented with new approaches to painting and rejected academic representation, fine finish, and the Impressionists' fixation on opticality. He was influenced by a variety of sources, not the least of which was his love of the stylized representations of Japanese Ukiyo-e prints. In the late-19th century, an influx of Japanese goods and art into the European...
Gauguin and Synthetism
In the fall of 1888, Van Gogh and Gauguin shared a small apartment and studio space in Arles, in the south of France. During those months, the two artists forged a rocky, but mutually beneficial relationship. While they both shared an interest in symbolic content and images that were abstracted from their natural appearances, Gauguin developed these ideas further in his theory of "Synthetism." According to its tenets, the final, visual form is determined by a synthesis of the outward appearan...
Although name of the Post-Impressionist movement is widely known today, English artist and critic Roger Fry only coined the term in 1910 for an exhibition he organized at London's Grafton Galleries, Manet and the Post-Impressionists. In the catalogue, he acknowledged that the imprecision of the label "Post-Impressionism" highlighted the disparity i...
Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləɱ‿vɑŋ‿ˈɣɔx] ⓘ; 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art.
Vincent van Gogh - Post-Impressionist, Paintings, Artwork: His artistic career was extremely short, lasting only the 10 years from 1880 to 1890. During the first four years of this period, while acquiring technical proficiency, he confined himself almost entirely to drawings and watercolors.
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