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Portrait of Philip the Good is a lost oil on wood panel painting by the Early Netherlandish painter Rogier van der Weyden, dated variously from the mid 1440s to sometime after 1450. Rogier, Portrait of Philip the Good, Gemäldegalerie, Berlin. Undated but Philip seems at least 10 years younger
Philip III the Good ( French: Philippe le Bon; Dutch: Filips de Goede; 31 July 1396 in Dijon – 15 June 1467 in Bruges) ruled as Duke of Burgundy from 1419 until his death in 1467. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged.
Philip the Good ruled the duchy of Burgundy from 1419 to 1467. An active patron of the arts, he had strong links with Henry VI's court in England though he preferred to concentrate on the expansion of his own land rather than becoming embroiled in the Hundred Years' War.
Rogier van der Weyden Netherlandish. ca. 1460. On view at The Met Fifth Avenue in Gallery 964. The son of Leonello d’Este, ruler of Ferrara, Francesco received his education at the court of Philip the Good, duke of Burgundy.
This painting is one of the several versions and copies of the portrait of Philip the Good executed by Rogier van der Weyden and his workshop.
The artist of this portrait, Brussels resident Rogier van der Weyden, was commissioned to paint both Philip the Good and his son Charles, as well as several other members of the court. Rogier van der Weyden was not a realist.
He worked for Philip the Good, Duke of Burgundy, and for foreign princes, as well as for the city and church. Among his greatest works is a powerful 'Descent from the Cross' (Madrid, Prado), which helps us to imagine the impact of the whole altarpiece of which 'The Magdalen Reading' is a fragment.
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