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      • Siegel died of a heart attack in Los Angeles on December 29, 1982, aged 79.
      en.wikipedia.org › wiki › Sol_C
  1. › Cause of death

    • heart attackheart attack
  2. Siegel then began working as an independent producer. He ran his own production company from 1964 to 1967. Siegel died of a heart attack in Los Angeles on December 29, 1982, aged 79. Personal life. He was married to Ruth (Shor) Siegel until her death in 1962; together they had three sons, Andrew, Norman, and Richard.

  3. Dec 31, 1982 · Sol C. Siegel, former head of production at Metro-Goldwyn-Mayer Studios and producer of such films as ''High Society (1956),'' ''Three Coins in the Fountain (1954),'' ''Gentlemen Prefer...

  4. Dec 30, 1982 · Siegel's hits included 'High Society,' 'Gentlemen Prefer Blondes,' 'Three Coins in the Fountain' and 'What Price Glory.' Advertisement He died at Cedars-Sinai Medical Center following a heart...

  5. 57 minutes. Country. United States. Language. English. Hit the Saddle is a 1937 "Three Mesquiteers" Western B-movie [1] starring Bob Livingston, Ray Corrigan, Max Terhune, and Rita Hayworth, [2] [3] before she became famous. It was second in The Three Mesquiteers series released by Republic Pictures. [4] The film was directed by Mack V. Wright .

  6. In 1934, his occupation is listed as film producer. He died on 28 December 1982, in Beverly Hills, Los Angeles, California, United States, at the age of 79, and was buried in Hillside Memorial Park, Culver City, Los Angeles, California, United States. More.

    • Male
    • Helen J Waite, Ruth Shor
  7. www.imdb.com › name › nm0797012Sol C. Siegel - IMDb

    Died December 29, 1982 (79) Add photos, demo reels. Add to list. Nominated for 1 Oscar. 4 nominations total. Known for. Gentlemen Prefer Blondes. 7.1. Producer. 1953. Three Coins in the Fountain. 6.2. Producer. 1954. High Society. 6.9. Producer.

  8. Sol Siegel was reportedly unhappy with the ending, but was overruled by the director and star. The novel was re-issued under Goldman's name in 1968 to coincide with the release of the film. The New York Times called it "dazzling". Smight was entitled to 15% of the net profits. He says he never received any, but blames this on studio accounting.

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