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CinemaScope logo from The High and the Mighty (1954) CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
CinemaScope films. Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
- Violent Saturday (1955) Director: Richard Fleischer. Everyone has something to hide in Richard Fleischer’s simmering study of smalltown America, which was adapted by Sydney Boehm from a William L. Heath story that originally appeared in Cosmopolitan.
- Lady and the Tramp (1955) Directors: Clyde Geronimi, Wilfred Jackson and Hamilton Luske. Walt Disney was among the first to licence CinemaScope from Fox and he experimented with it on the Oscar-winning cartoon Toot, Whistle, Plunk and Boom (1953) before hiring Richard Fleischer to use the format in adapting Jules Verne’s 20,000 Leagues under the Sea (1954) as the studio’s fifth live-action adventure.
- It’s Always Fair Weather (1955) Directors: Gene Kelly and Stanley Donen. Having danced ‘dream ballets’ in Vincente Minnelli’s An American in Paris (1951) and Singin’ in the Rain (1952), which he co-directed with Stanley Donen, Gene Kelly decided to showcase his contention that dancing was a man’s game in his sole excursion in CinemaScope.
- Lola Montès (1955) Director: Max Ophüls. Very loosely based on a novel by Cécil Saint-Laurent, Max Ophüls’ swan song was his only picture in Eastmancolor and CinemaScope.
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Apr 11, 2024 · 2nd Logo (August 11, 1995-January 26, 2001) Visuals: On a black background, there is an orange shadow that reveals the word " TAPESTRY ". It slowly fills in with a solid yellow color, while two red lines accompany it above and below. Below the logo, " F I L M S ", stretched out to fit the width of it, flips in letter-by-letter.
