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The film opened the “Un Certain Regard” section of the Cannes Film Festival and received an Independent Spirit Award nomination for best first feature film. [22] It also won the sole acting award at that year's Sundance Film Festival for Lili Taylor 's performance as Solanas. [23]
From Wikipedia, the free encyclopedia. Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter best known for her films I Shot Andy Warhol, American Psycho and The Notorious Bettie Page. Description above from the Wikipedia article Mary Harron, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A Harmless Vanity: Directed by Giles Foster. With Sheila Gish, Keith Barron, Carol MacReady, Colin Farrell. Mary discovers her husband is having an affair so has a life-changing makeover.
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- Comedy, Drama, Horror
- Giles Foster
- 1982-06-20
Nov 29, 2016 · One of the most popular forms of content at Word on Fire continues to be Bishop Robert Barron’s theological commentaries about movies. In fact, the very first Youtube video Word On Fire ever produced was a commentary on Martin Scorsese’s Oscar-Winning film, “The Departed.” Since then, the bishop has reviewed dozens of movies and received […]
Coneheads is a 1993 American science-fiction comedy film from Paramount Pictures, produced by Lorne Michaels, directed by Steve Barron, and starring Dan Aykroyd, Jane Curtin and Michelle Burke. The film is based on the NBC Saturday Night Live comedy sketches about aliens stranded on Earth, who have Anglicized their Remulakian surname to "Conehead". Michelle Burke took over the role played by ...
Jun 30, 1995 · Apollo 13: Directed by Ron Howard. With Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise. NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.
Forbidden Planet ' s effects team was nominated for the Academy Award for Best Visual Effects at the 29th Academy Awards. Tony Magistrale describes it as one of the best examples of early techno-horror. [10] In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant ...
