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  1. movielabs.com › production-technology › the-2030-visionThe 2030 Vision - MovieLabs

    Although the 2030 Vision is a technology roadmap it’s primary focus is in empowering the creativeto be able to achieve moreto be more efficient (replacing repetitive and menial tasks so they can focus on creative tasks), flexible (so workflows can change and adapt to new situations and technologies) and faster (so there’s more of ...

  2. May 8, 2019 · According to VR guru and artist Chris Milk, films of the future will offer tailored immersive experiences. They will, he tells BBC Culture, be capable of “crafting a story in real-time, that is ...

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  4. WHAT COULD MEDIA CREATION LOOK LIKE IN 2030? By 2030, new technologies, especially real-time photorealistic graphics, will create a more iterative creative process where the phases of early production merge together into 1. Pre-Photography – Script development; production design, including setting up much

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  5. Jul 31, 2023 · Unfolding the future of film technology: Key trends to watch. Embark on a journey to discover emerging trends in film technology, from AI and VR to sustainability, shaping the future of film production, distribution, and consumption.

  6. Aug 20, 2019 · Movielabs together with member studios, has published a new white paper presenting an industry vision for the future of media creation in 2030. The paper, jointly authored by MovieLabs and technology leadership teams from Hollywood studios, paints a bold picture of future technology.

  7. Mar 1, 2022 · In order for the film industry to follow the United Nations Sustainable Development Goals (SDGs) by 2030, problems relating to wage and gender inequality pose a large barrier to true sustainability in the film industry and the world in general.

  8. Mar 4, 2024 · His new film, Hors du temps, combines two registers that most would have avoided alternating: a lyrical commentary on the director’s childhood, which he narrates, in a house on the most bucolic outskirts of Paris, and a light comedy about the first lockdown, shot in that same country home. It is, perhaps, Assayas’s least demure film ...

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