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Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology , including evolutionary musicology , neuromusicology , and comparative musicology .
Record companies (manufacturers, distributors, and labels) may also constitute a "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six:
Mar 19, 2015 · Music in all its variety can be defined as a social and cultural construct based on that very musicality. This distinction demarcates two divergent approaches to the cognition and biology of music.
- Henkjan Honing, Carel ten Cate, Isabelle Peretz, Sandra E. Trehub
- 2015
Mar 3, 2015 · I present these principles and briefly explore some of their implications for current and future bio-musicological research in the following sections. (a) Defining the object of study: ‘musicality’ versus music. ‘Bio-musicology’ is the biological study of musicality in all its forms. Human ‘musicality’ refers to the set of ...
- W. Tecumseh Fitch
- 2015
Record labels are companies, large or small, that manufacture, distribute, and promote the recordings of affiliated musicians. Essentially, record labels work to sell the brand of the artist and the products they create.
- roberto.morovisconti@morovisconti.it
Jul 9, 2020 · Record labels today discover and develop artists, connect them with creative collaborators and make great records, promote and position them wherever fans go to discover music, and reward successful outcomes—but how labels perform those functions has changed forever.
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Oct 27, 2019 · Record labels are companies that market recorded music and corresponding videos. They engage in a wide range of functions in the music industry, including new artist recruitment and development (known as A&R, which stands for artis and repertoire), music publishing, and copyright enforcement.
