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  2. The femme fatale is an archetype that appears throughout history in mythology, art, and literature and became a principal character in the hard-boiled detective novels and classic film noir of the 20th century.

  3. Jan 13, 2023 · Tragic literary heroines that were not overtly sexual enough to be made femmes fatales were made to fit the femme fragile mold, displaying love-induced insanity that would ultimately lead to their demise.

  4. en.wikipedia.org › wiki › Femme_fataleFemme fatale - Wikipedia

    In Gun Crazy (1950), the femme fatale lures a man into a life of crime. In Hitchcock's 1940 film and Daphne du Maurier's 1938 novel Rebecca, the eponymous femme fatale completely dominates the plot, even though she is already dead and we never see an image of her.

    • Helen of Troy. While she is also occasionally known as Helen of Argos or Helen of Sparta, it is the Trojan War that secured Helen of Troy’s lasting infamy.
    • Clytemnestra. Though not considered quite as beautiful, Helen of Troy’s sister, Clytemnestra, is widely portrayed as far more actively evil. Where Helen disobeyed Menelaus (be it wilfully or unwillingly), Clytemnestra killed her husband, Agamemnon, Menelaus’ brother.
    • Circe. The daughter of Helios, the god of the sun, and Perse, an Oceanid nymph, Circe was a minor goddess, though she is perhaps more famous as an enchantress.
    • Scylla. The earliest surviving text to mention Scylla is Homer’s Odyssey, in which she is depicted as a monster who kills six of Odysseus’ men as they attempt to make their way back to Ithaca.
  5. Mar 4, 2016 · For all these historical precedents, the modern-day femme fatale is deeply rooted in noir — a mystery subgenre unique in its cynicism and nihilism.

  6. Dec 18, 2022 · She is a femme fatale, one of the most popular character types seen in 20th century fiction. But what is a femme fatale, exactly? We’ll be going over the history of this trope, how she came to be, and how she continues to endure.

  7. Mar 14, 2019 · The Pre-Raphaelite Brotherhood, and painters of the 19th Century, explored themes of the fallen woman and femme fatale almost obsessively. Much of their noted oeuvre, particularly in the case of Dante Gabriel Rossetti, depicts the female form.

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