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The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival. Built in record time in the Modernist style of the time, it was inaugurated on August 10th 1937 for the fifth edition of the Festival. Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening ...
The main cinema with its seating capacity of 1.800 is paired with a medium-sized theater for 1,200. Like an island, they are made to float in space, thereby facilitating access from all sides. The character of this element gives preeminence to the Lido-side facade, notwithstanding efforts to avoid a frontal interpretation of it.
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Aug 30, 2023 · Domus 730, September 1991. The competition brief concerned the restructuring of the present Palazzo del Cinema, in order to make it fully compliant to the Biennale’s activities and to other cultural events held at any time of the year. So there will be not just a Cinema Building any more, but a large and complex public building.
The Palazzo del Cinema, inaugurated on 10 August 1937 for the fifth edition of the Exhibition was then made up of a simple hall and a thousand-seat cinema hall (the present Great Hall). Following the continuous success of the festival, it became necessary to expand the building, which was entrusted to Quagliata himself in 1952. The overall ...
76 years of Art and Cinema This is where the first Film Festival was held and it is still today the most prestigious in the World. The Palazzo del Cinema location set between the sea and the lagoon This building, on four floors, can accommodate up to 1.017 people in the Sala Grande and has an additional four rooms able to accommodate 48 to 161 people. It has also several additional meeting ...
1991. The New Palazzo del Cinema al Lido di Venezia. participant (s) Carlo Aymonino, Mario Botta Architetti, Sverre Fehn, Hentrup-Heyers-Stirling, Steven Holl, Fumihiko Maki, Rafael Moneo, Jean Nouvel, Aldo Rossi, Oswald Mathias Ungers. venue. Arsenale.
Eugenio Miozzi’s angular, Rationalist ‘Palace of Cinema’ was in keeping with the ambitious modernism of the early 1930s, when business tycoon and Fascist minister Count Giuseppe di Volpi cleverly conceived of the Venice Film Festival as a means of fostering the Lido's upmarket tourism industry.
