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Jamaica
- The ska sound first appeared in Jamaica in the 1950s as a blend of Dixieland, jazz, R&B, blues, big band, calypso, and something called “mento” music.
www.ajournalofmusicalthings.com › ongoing-history-daily-why-do-we-call-it-skaOngoing History Daily: Why do we call it "ska?" | Alan Cross
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Ska (/ s k ɑː /; Jamaican:) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat.
May 17, 2024 · Ska, Jamaica’s first indigenous urban pop style. Pioneered by the operators of powerful mobile discos called sound systems, ska evolved in the late 1950s from an early Jamaican form of rhythm and blues that emulated American rhythm and blues, especially that produced in New Orleans, Louisiana.
Jun 7, 2021 · Ska music serves as a bridge between 1960s Jamaican music, 1970s British dance music, and 1990s American punk music. It does this by fusing many musical influences to create a genre unique unto itself.
Sep 18, 2018 · Ska music was simply part of the Jamaican identity, not unlike the green, yellow, and black of the flag. In 1964, the Jamaican government focused its attention on promoting ska to U.S....
- Evan Nicole Brown
Jun 2, 2021 · While most American iterations of ska and the more commonly-heard ska-punk have tended to be dominated by white musicians and bear a permanent association with the '90s, the genre was actually invented in Jamaica by Black artists in the mid-1960s.
- Lauren Lavin
Mar 26, 2019 · Such is the case with ska, a genre of Jamaican music which comes from mento and calypso music, combined with American jazz and R&B, which could be heard on Jamaican radio coming from high-powered stations in New Orleans and Miami. Ska became popular in the early 1960s.
Mar 20, 2013 · As with ska itself, The Skatalites’ music was created from a pool of disparate influences. Group members explain that some of their biggest hits at Studio One were based on Latin tunes that Coxsone asked them to adapt. “‘El Pussy Cat’ come from Cuba,” Roland noted, referring to the Mongo Santamaria original. “Coxsone give it to me ...
