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- For a long time it was assumed that it was destroyed by Lady Spencer-Churchill; however, in the course of research for a biography of Churchill, audio recordings were cited that attribute the destruction to Grace Hamblin, Churchill's private secretary.
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Homage to a Hero and a Masterpiece: The Destruction and Rebirth of Sutherland’s Portrait of Churchill - The London Magazine. Over sixty years on, it remains the most notorious act of wanton destruction in the history of modern British art. As is well known, the deed was done on the orders of Lady Churchill.
Although historical evidence suggests that Churchill's secretaries were the ones who actually destroyed the painting, the episode depicts Lady Spencer-Churchill watching it burn on the grounds of Chartwell House. The episode won John Lithgow, who played Churchill, a Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series.
Sep 28, 2022 · The painting was a gift to Churchill from both Houses of Parliament, but the statesman was infamously unhappy with the portrait, and we now know that within a year of receiving it at Chartwell, his wife had it destroyed.
Jul 17, 2019 · Two years later, Dostoevsky’s novel The Idiot was published; in it, a copy of Holbein’s Dead Christ shakes up the protagonist as much as the original did the author. Upon seeing the painting–owned by the corrupt Rogozhin–Prince Myshkin cries out “Why, a man’s faith might be ruined by looking at that picture!”. [2]
Apr 8, 2023 · In August 1867, at a museum in Basel, Switzerland, the Russian writer Fyodor Dostoevsky found himself standing before a painting of Christ, unable to look away. The work, entitled “ The Body of the Dead Christ in the Tomb ” and painted by Hans Holbein, depicts the disfigured reality of Christ’s mortal frame after the crucifixion.
- Scott Raines
- scott.raines.proxy@deseretnews.com
"The Churchill family still feel…it makes them upset to see it. The painting is an extraordinary homage to Churchill. What Sutherland saw in front of him was a magnificent ruin but there's ...
So who was right? Winston Churchill, who had tried to guide the artist toward a more flattering portrayal, but upon failing to do so, chose to destroy the work? Or Graham Sutherland, who despite pressure from his subject, stuck to his beliefs that his responsibility was to show the famous statesman as he truly looked in his 80th year?
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