Search results
Miles Davis was one of the first jazz musicians to incorporate jazz fusion into his material. He also proved to be a good judge of talented sidemen. Several of the players he chose for his early fusion work went on to success in their own bands.
As jazz fusion artists found crossover success on R&B radio, they began adding lead vocalists, such as on the Crusaders’ Street Life (1979), or chant-type group singing, as in Donald Byrd’s “Flight Time” (1972).
Mar 21, 2024 · He worked with other big names, making the jazz fusion scene even richer. Miles Davis performing with Charlie Parker, Tommy Potter, Duke Jordan, and Max Roach in 1947. In the 70s, jazz fusion really took off. Albums from this time mixed complex jazz chords with the loud, raw sound of rock and the catchy rhythms of funk.
People also ask
Who invented jazz fusion?
How did jazz fusion music become popular?
Who are the best jazz fusion musicians?
What was jazz fusion in the 1970s?
- The Mahavishnu Orchestra. 457 votes. Under the visionary guidance of guitarist John McLaughlin, The Mahavishnu Orchestra forged a new path in the world of jazz fusion by blending elements of rock, Indian classical music, and Western classical influences.
- Miles Davis. 575 votes. No discussion of jazz fusion would be complete without mentioning the trailblazing contributions of Miles Davis. By embracing electric instrumentation and rock-inspired grooves on albums such as Bitches Brew and In a Silent Way, Davis forever changed the landscape of jazz.
- Chick Corea. 398 votes. As both a founding member of Return to Forever and a prolific solo artist, Chick Corea's influence on jazz fusion is immeasurable.
- Herbie Hancock. 434 votes. An undisputed master of the keyboard, Herbie Hancock revolutionized jazz fusion by fearlessly exploring synth-driven sounds and funk grooves.
- Gary Burton Quartet – Duster. Generally considered to be one of the earliest fusion albums, this 1967 LP finds legendary vibraphonist Gary Burton at the intersection of jazz and progressive rock, thanks in no small part to Larry Coryell’s acidic, blues-inflected guitar.
- The Free Spirits – Out of Sight and Sound. The way the Free Spirits are depicted on the cover of their sole album Out of Sight and Sound would probably lead the average listener to assume they’re a ’60s psych band.
- Frank Zappa – Hot Rats. Hot Rats is a curious album both in the canons of jazz-fusion and Frank Zappa. It isn’t broadly considered the peak of either; fusion would both be wiler and more satisfactorily rock-oriented elsewhere where Zappa would become both more avant-garde and more approachable on other records, more jazzy and less.
- Miles Davis – Bitches Brew. I felt a strong temptation to begin here by saying that Bitches Brew can be connected to every album here by just one degree.
Mar 1, 2013 · Miles Davis: Giant of jazz. 1970's iconic album Bitches Brew is both a standalone masterpiece and the pivot point between two of the most fascinating periods of Miles Davis' career: his late-'60s swerve into jazz fusion and the truly out-there territory explored by his early-'70s output.
The most popular jazz fusion strain grew out of hard bop: the funky 1960s jazz of musicians such as saxophonist Joe Henderson, flutist Herbie Mann, alto saxophonist Hank Crawford, and the Crusaders. Their repertoires included original and popular Soul tunes over which they improvised jazz.
